Model Test Summary

Prompt Version: v4 | Prompt Hash: ef7eb608 | Rows: 36

Media	gpt-4o-mini (baseline)	anthropic/claude-sonnet-4-5	anthropic/claude-opus-4-5	anthropic/claude-3-7-sonnet-latest	anthropic/claude-3-5-sonnet-latest	deepseek/deepseek-chat-v3-0324	deepseek/deepseek-r1-0528-qwen3-8b	openrouter:xai/grok-4	openrouter:google:gemini-2.5-pro	openrouter:google:gemini-3-flash-preview	openrouter:mistralai/mistral-large
Wokeness Buckets
Score 1
Chacun pour tous 2018 - movie	W:1 F:2 C:2 gpt-4o-mini_prompt_v4 high The film presents minimal explicit progressive messaging, primarily focusing on humor and character development without strong ideological framing. There are some patterns of gender dynamics, but they are not pronounced enough to strongly signify feminist ideology. Emotional elements exist but are not the primary drivers of the plot, hence a low sc...	W:4 F:1 C:1 high French comedy about a group of people with Down syndrome who organize a heist after their caretaker embezzles funds. The film centers disability representation and frames the intellectually disabled protagonists as capable, autonomous, and morally superior to the neurotypical characters who underestimate or exploit them. This is explicit progressiv...	W:2 F:1 C:1 low French comedy about wealthy men who bet on coaching intellectually disabled athletes for the Special Olympics. The disability inclusion theme is central but played for broad comedy rather than progressive lecturing. The film focuses on the men's redemption arc and friendship rather than identity politics. Some mild messaging about acceptance and no...	No test result	No test result	W:1 F:1 C:2 high The film focuses on a sports drama with minimal ideological messaging or feminist framing. Emotional elements are present but not the primary driver.	No test result	No test result	W:0 F:0 C:0 high The film is a sports comedy about a real-life fraud case involving a Paralympic basketball team. Its themes are disability, cheating, and redemption, not modern progressive ideology. The narrative is male-centric and focused on the team's deception, with no feminist subtext. The plot is driven by the sports competition and the moral conflict, not b...	W:1 F:1 C:1 high The film is a sports comedy based on the true story of the 2000 Spanish Paralympic basketball scandal. It focuses on disability ethics and deception rather than modern progressive identity politics. While it features a diverse cast in terms of ability, it lacks explicit ideological messaging or feminist framing. The narrative is driven by a sports...	W:1 F:1 C:1 low Based on available information, 'Chacun pour tous' (2018) is a French comedy centered on a man navigating personal and professional chaos. There is no clear evidence of explicit progressive ideological messaging, consistent ideological tone, or significant focus on identity politics. Feminist themes are not prominently shaping character roles or mo...
Happy Christmas 2014 - movie	W:1 F:2 C:3 gpt-4o-mini_prompt_v4 high The film includes some modern elements like an emphasis on personal freedom and adult relationships but lacks explicit progressive ideology or social justice themes. The feminist score reflects instances of gender dynamics, although it's not the primary focus. The chickflick score is moderate as emotional and romantic relationships do play a promin...	W:1 F:2 C:3 high Happy Christmas is a low-key mumblecore dramedy about a messy woman disrupting her brother's family life. Wokeness is minimal—no progressive messaging, identity politics, or ideological framing; it's a character study set in liberal Chicago but without activist content. Feminism scores moderately: the female lead is irresponsible and flawed (not a...	W:1 F:2 C:3 high Happy Christmas is a low-key mumblecore drama about a messy younger sister (Anna Kendrick) crashing with her brother's family and disrupting their lives. The film centers on female relationships and a novelist mother's creative/domestic struggles. There's no explicit progressive messaging or identity politics. The feminism score reflects the focus...	No test result	No test result	W:1 F:2 C:3 high Minimal explicit progressive ideology, but some gendered dynamics elevate feminism slightly. Relationship-driven narrative fits chickflick criteria.	No test result	No test result	W:0 F:2 C:3 high The film is an apolitical, slice-of-life character study with no discernible ideological messaging. A minor feminist theme is present in the subplot of a mother struggling to reclaim her creative identity, but it lacks any anti-male bias and the husband character is supportive. The story is entirely driven by emotional and domestic relationship dyn...	W:1 F:3 C:4 high The film focuses on female-centric domestic dynamics and the tension between motherhood and career. While it lacks explicit progressive activism, it earns a moderate feminism score by framing the male lead as a somewhat passive, managing figure while the women navigate personal liberation and the 'burden' of traditional domesticity. It is a high-le...	W:1 F:2 C:4 high The film centers on interpersonal relationships and emotional dynamics among women, with minimal ideological framing. There is no explicit progressive messaging, though some gendered patterns (e.g., men as flawed or peripheral) subtly reinforce mild feminist undertones. The narrative is overwhelmingly driven by romantic and emotional arcs, targetin...
Hugo 2011 - movie	W:1 F:1 C:1 gpt-4o-mini_prompt_v4 high Hugo does not prominently feature any modern progressive ideology, nor does it have significant thematic elements aligned with feminism. The narrative is more centered on adventure and discovery rather than emotions or romantic relationships, therefore it lacks characteristics of a typical chickflick.	W:0 F:0 C:1 high Hugo is a period fantasy-adventure set in 1930s Paris about an orphaned boy living in a train station who befriends a girl and uncovers the forgotten legacy of filmmaker Georges Méliès. The film is a love letter to early cinema history with no modern progressive messaging. Gender dynamics are neutral—the boy and girl collaborate as equals on their...	W:0 F:0 C:1 high Hugo is Martin Scorsese's love letter to early cinema and Georges Méliès. The story centers on an orphan boy maintaining clocks in a Paris train station while uncovering the mystery of a broken automaton. There is no modern progressive ideological messaging - the film is set in 1930s Paris and focuses on themes of purpose, legacy, and the magic of...	No test result	No test result	W:0 F:1 C:1 high Hugo is a family-friendly adventure film with themes of nostalgia, craftsmanship, and childhood wonder. There is no explicit or consistent progressive ideological messaging. Gender dynamics are neutral, and the story is driven by mystery and adventure rather than romance or emotion.	No test result	No test result	W:0 F:0 C:1 high The film is a historical adventure and a tribute to early cinema, containing no modern progressive ideology. Gender dynamics are balanced, with the male and female leads being equal partners in the central mystery. The story is driven by mystery and adventure, not romance, though the emotional friendship between the two children is a significant su...	W:0 F:1 C:1 high Hugo is a historical tribute to early cinema and preservation. It lacks modern progressive ideological messaging, identity politics, or gender-based grievances. The dynamic between Hugo and Isabelle is balanced and driven by mystery rather than gender ideology. While emotionally resonant, the narrative is driven by a mechanical objective and histor...	W:0 F:1 C:1 high No explicit progressive ideological messaging or consistent tone. Gender dynamics are largely neutral, with no pattern of male incompetence or female moral authority. The film is not romance- or emotion-driven; its primary focus is historical adventure and cinematic innovation.
Choke 2008 - movie	W:1 F:3 C:1 gpt-4o-mini_prompt_v4 high The movie has weak explicit signals of modern progressive ideology, with some tones present but not consistently reinforced. There is a noticeable focus on gender dynamics, particularly in how male characters are portrayed, which grants it a moderate feminism score. However, the primary plot does not revolve around emotional or romantic relationshi...	W:1 F:1 C:0 high Choke is a dark comedy adapted from Chuck Palahniuk's novel about a sex-addicted con artist who fakes choking in restaurants. The film is transgressive and cynical rather than ideologically progressive. It features morally compromised characters across genders without clear progressive messaging. The protagonist's sexual compulsions and manipulatio...	W:1 F:2 C:1 high Based on Chuck Palahniuk's novel, this dark comedy follows a sex addict who scams people by pretending to choke in restaurants. The film is transgressive and cynical but not ideologically progressive - it's more nihilistic and provocative in a pre-woke countercultural way. The protagonist is deeply flawed and morally bankrupt, but this isn't framed...	No test result	No test result	W:1 F:2 C:1 high Wokeness is minimal, with no explicit progressive ideology or consistent tone. Feminism is slightly elevated due to some gendered dynamics and female characters correcting male behavior, but not strongly ideological. Chickflick elements are weak, as the film focuses more on dark comedy and personal dysfunction than romance or emotional relationship...	No test result	No test result	W:0 F:0 C:0 high The film is a cynical, transgressive dark comedy based on a Chuck Palahniuk novel. Its themes of addiction, fraud, and dysfunctional family dynamics are presented through a nihilistic, satirical lens that predates and does not align with modern progressive ideology. Gender dynamics are not ideologically framed, and the plot is the opposite of a rom...	W:1 F:1 C:1 high Choke is based on a Chuck Palahniuk novel and maintains a cynical, transgressive, and nihilistic tone that is largely antithetical to modern progressive messaging. While it features sexual addiction and unconventional family dynamics, it lacks explicit ideological framing. The female characters are often as flawed or manipulative as the male protag...	W:1 F:2 C:1 high Wokeness is minimal, with no explicit progressive ideological messaging or consistent tone reinforcing modern progressive values. Feminism is present in a limited capacity, primarily through the framing of the male protagonist as flawed and dependent, while female characters often exhibit competence and authority, though not as a dominant pattern....
Prime 2005 - movie	W:1 F:3 C:4 gpt-4o-mini_prompt_v4 high The film does contain some modern themes around a romantic relationship between a younger man and an older woman, but it lacks explicit ideological messaging commonly associated with modern progressive ideology. However, the narrative does portray traditional romantic norms in a somewhat subversive way, contributing to a mild wokeness score. The fe...	W:1 F:1 C:4 high Prime (2005) is a romantic comedy-drama centered on a May-December romance between a 37-year-old divorced woman (Uma Thurman) and a 23-year-old man (Bryan Greenberg), with the comedic twist that her therapist (Meryl Streep) is his mother. The film is strongly romance and emotion-driven with minimal external stakes, justifying the high chickflick sc...	W:1 F:2 C:4 high Prime (2005) is a romantic comedy about a younger man (Bryan Greenberg) dating an older divorced woman (Uma Thurman), complicated by the fact that her therapist (Meryl Streep) is his mother. The film has minimal progressive ideological messaging - the age-gap relationship and interfaith (Jewish-Christian) tensions are played for comedy and drama ra...	No test result	No test result	W:1 F:2 C:4 high The film focuses on a romantic relationship with an age gap, but lacks explicit progressive ideological messaging. Some gendered dynamics are present, with the female lead navigating emotional and romantic challenges, but without strong feminist framing. The primary driver of the story is the romantic relationship, making it strongly female-targete...	No test result	No test result	W:0 F:2 C:5 high The film's central conflict is a romance with an age gap and a therapist-client complication, not modern ideological messaging, resulting in a zero wokeness score. The focus on a successful older woman dating a younger man gives it a light feminist flavor, but it avoids overt ideology or male-bashing. The plot is entirely driven by the central roma...	W:1 F:2 C:5 high The film is a quintessential romance-driven chickflick centered on emotional navigation and relationship dynamics. Wokeness is low as it focuses on traditional religious and age-gap conflicts rather than modern progressive identity politics. Feminism is moderate; while it features a professional female lead, the narrative relies on the trope of a y...	W:1 F:2 C:4 high Wokeness is minimal, with no explicit progressive ideological messaging or consistent tone. Feminism is implied through gendered dynamics (e.g., the older female lead guiding the younger male protagonist), but not strongly ideological. The film is heavily romance-driven, with emotional relationships as the primary narrative engine, targeting a fema...
Someone Like You... 2001 - movie	W:1 F:2 C:4 gpt-4o-mini_prompt_v4 high The film contains minimal explicit modern progressive ideology. While it includes female leads and themes of independence, it does not significantly challenge traditional gender roles or authority throughout the narrative. The focus on romantic relationships as the primary driver of the story, paired with emotional arcs, justifies a high chickflick...	W:0 F:1 C:5 high Someone Like You is a straightforward romantic comedy from 2001 with no detectable modern progressive ideology. The film centers on a woman (Ashley Judd) navigating workplace romance and heartbreak, using a pseudoscientific 'Old Cow Theory' as a comedic device. While the female protagonist is competent and the male love interest (Hugh Jackman) is i...	W:1 F:2 C:5 high This Ashley Judd/Hugh Jackman romantic comedy centers entirely on dating, heartbreak, and finding love in New York City. The plot revolves around Judd's character developing a pseudo-scientific 'old cow/new cow' theory about why men leave women, which frames male behavior as biologically programmed infidelity. While this creates a mild pattern of m...	No test result	No test result	W:1 F:2 C:4 high The film lacks explicit progressive ideological messaging, focusing more on personal relationships. Some implicit feminist tones emerge through female agency in romantic dynamics. The story is strongly romance-driven, targeting female audiences.	No test result	No test result	W:0 F:2 C:5 high The film's 2001-era 'battle of the sexes' theme is not ideologically woke. Its central premise involves a woman developing a cynical theory about men being inherently unreliable after a bad breakup, giving it a noticeable feminist angle, though this is ultimately resolved through a conventional romantic plot. The story is entirely driven by romanti...	W:1 F:3 C:5 high The film is a quintessential early-2000s romantic comedy driven entirely by relationship dynamics and female-targeted emotional arcs. It scores moderately on feminism due to its central 'Old Cow/New Cow' pseudo-scientific theory which frames male behavior as biologically flawed and inherently unfaithful, though it ultimately resolves in a tradition...	W:1 F:2 C:4 high The film is a romantic comedy centered on female emotional and romantic struggles, with no explicit progressive ideological messaging. Wokeness is minimal, limited to incidental modern settings without ideological framing. Feminism is present but mild: the protagonist is independent and career-focused, and traditional relationships are questioned,...
Asterix & Obelix: The Big Fight 2025 - series	W:1 F:1 C:0 gpt-4o-mini_prompt_v4 high The themes in 'Asterix & Obelix: The Big Fight' do not prominently feature modern progressive ideology, nor is there a significant feminist framework shaping the narrative. The focus is primarily on adventure and comedy with traditional character roles. Emotional or romantic relationships are not the main drivers of the story, confirming a low chic...	W:0 F:0 C:0 low Unable to locate any verifiable information about a 2025 TV show titled 'Asterix & Obelix: The Big Fight.' This title matches a 1989 animated film, but no 2025 series exists in available records. Without confirmed content to evaluate, all scores default to 0. If this is a forthcoming or regional release not yet documented, actual scores cannot be d...	W:1 F:1 C:0 low This 2025 animated adaptation of the classic Asterix comics follows the traditional formula of Gaulish villagers resisting Roman occupation through slapstick comedy and action. The source material is rooted in 1960s French humor with broad physical comedy and adventure. While modern adaptations sometimes update gender dynamics, the Asterix franchis...	No test result	No test result	W:0 F:0 C:0 high Based on the Asterix & Obelix franchise's historical content, the show likely focuses on humor, adventure, and Gaulish resistance against Romans without modern progressive ideological messaging, feminist framing, or romance-driven narratives.	No test result	No test result	W:0 F:2 C:0 high Based on the 1966 source comic, the story is an action-comedy focused on village rivalry and fighting Romans. There is no evidence of modern progressive messaging. The feminism score reflects the long-standing comedic trope in the franchise of the chief's wife being more sensible than the brawling, childish male villagers, a dynamic that aligns wit...	W:1 F:1 C:0 high Based on the source material and Alain Chabat's established comedic style, the series focuses on slapstick humor, historical satire, and the traditional dynamic of the indomitable Gauls. There is no evidence of modern progressive ideological messaging or gender-based moral framing. The content is action-comedy driven, targeting a general audience w...	W:0 F:1 C:1 high Based on the source material (Asterix comics) and typical adaptations, there is no evidence of modern progressive ideological messaging, LGBTQ+ thematic weight, or anti-traditional framing. Feminism is minimal; while female characters exist, they do not drive gendered moral framing or undermine male roles as a pattern. The show is action-comedy-dri...
Servant 2019 - series	W:1 F:2 C:0 gpt-4o-mini_prompt_v4 high While 'Servant' features themes of loss and identity, it largely avoids explicit progressive ideological content. There are minimal signals of modern progressive ideology, mainly in character interactions that suggest a critique of traditional roles. However, these are not strong enough to elevate the score significantly. The dynamics between chara...	W:1 F:1 C:1 high Servant is a psychological horror-thriller centered on a wealthy Philadelphia couple dealing with tragedy through a mysterious nanny and a reborn doll. The show focuses on supernatural mystery, dread, and class tension rather than progressive messaging. The female lead (Dorothy) is deeply flawed and unreliable, while her husband (Sean) is competent...	W:1 F:2 C:1 high Servant is a psychological horror/thriller focused on grief, religious fanaticism, and supernatural ambiguity. The show centers on a wealthy Philadelphia couple dealing with trauma after losing their infant. There is no meaningful progressive ideological messaging - the narrative explores cult dynamics, faith, and psychological manipulation rather...	No test result	No test result	W:1 F:1 C:1 high 'Servant' is a psychological horror-thriller with minimal ideological messaging or feminist framing. Its focus is on suspense and supernatural elements, not progressive themes or gender ideology. Emotional relationships are present but secondary to the central mystery.	No test result	No test result	W:0 F:3 C:0 high The show is a psychological horror story focused on grief and supernatural events, with no discernible progressive messaging. The feminism score reflects a consistent narrative pattern where the female characters (a delusional mother and a supernaturally-powered nanny) hold all the agency and power, while the male characters are consistently reacti...	W:1 F:2 C:1 high The show focuses on a traditional wealthy family unit and religious cultism rather than modern progressive politics. Wokeness is low as it lacks explicit identity politics or trans themes. Feminism is moderate; while the female lead is often the source of chaos, the male characters are frequently portrayed as deceptive, enabling, or emotionally stu...	W:1 F:2 C:2 low Wokeness is minimal, with no explicit progressive ideological messaging or consistent tone. Feminism is present in subtle gendered dynamics, such as the female lead's competence and moral authority over male characters, but not a dominant theme. The show is psychological horror with emotional and relational elements, but external stakes (e.g., myst...
Haters Back Off 2016 - series	W:1 F:2 C:3 gpt-4o-mini_prompt_v4 high The show features some mild progressive elements, primarily through character dynamics and humor but lacks substantial ideological grounding. It occasionally portrays traditional norms in a negative light, though this is not a central theme. The feminist score reflects the presence of competent female characters, but male characters also retain age...	W:0 F:1 C:1 high Haters Back Off is a cringe comedy centered on Miranda Sings, a delusional aspiring performer. The show is character-driven absurdist humor focused on narcissism and family dysfunction, not progressive ideology. There's no meaningful LGBTQ content, social justice messaging, or identity politics. The protagonist is female and often clashes with male...	W:1 F:1 C:2 high Haters Back Off centers on Miranda Sings, a delusional aspiring YouTube star, and her dysfunctional family. The show is primarily a cringe comedy about narcissism and delusion rather than ideological messaging. No significant progressive themes, identity politics, or social justice content drives the narrative. The uncle character is portrayed as c...	No test result	No test result	W:1 F:2 C:2 high Wokeness is minimal with no explicit progressive ideology or trans themes. Feminism is slightly elevated due to some gendered dynamics and female authority figures. Chickflick elements are present but not dominant, focusing more on eccentric character humor than romance.	No test result	No test result	W:0 F:0 C:1 high The show is a cringe-comedy satire focused on a delusional, narcissistic character's quest for fame. It contains no progressive ideological messaging. Both male and female characters are portrayed as pathetic and incompetent, showing no gendered pattern of moral authority or blame. While relationship subplots exist, they are secondary to the centra...	W:1 F:1 C:1 high The show focuses on a delusional, narcissistic protagonist and her dysfunctional family. It lacks modern progressive ideological messaging or social justice themes. While the cast is female-led, it does not promote feminist ideals; rather, it portrays the female characters as deeply flawed, incompetent, and socially maladaptive. The narrative is dr...	W:1 F:2 C:3 high Wokeness is minimal, with no explicit progressive ideological messaging or consistent tone. Feminism is implied through the show's framing of the female protagonist as a misunderstood, self-made artist while male characters (particularly her brother) are often portrayed as immature or incompetent, though not in a heavily ideological way. The show i...
Campione! 2012 - series	W:1 F:1 C:2 gpt-4o-mini_prompt_v4 high The series 'Campione!' contains minimal explicit progressive messaging or gender ideology. While it features a variety of female characters, their roles do not significantly undermine male authority or promote feminist ideals. Emotional and romantic elements are present but do not drive the main narrative, which focuses more on action and fantasy t...	W:0 F:0 C:1 high Campione! is a Japanese harem anime based on light novels, centered on a male protagonist who gains god-slaying powers and attracts multiple female companions. The show follows traditional anime harem conventions with a capable male lead and devoted female characters who compete for his attention. There is no progressive ideological messaging—the c...	W:1 F:1 C:2 high Campione! is a Japanese light novel adaptation featuring a male protagonist who gains godlike powers and accumulates a harem of powerful women. The show follows standard harem anime conventions where the male lead is surrounded by competent, often magically powerful women who are romantically interested in him. While women are portrayed as capable...	No test result	No test result	W:0 F:1 C:1 high 'Campione!' is a fantasy action anime with no discernible modern progressive ideological messaging. Gender dynamics are traditional, and the story is driven by supernatural battles rather than emotional or romantic arcs.	No test result	No test result	W:0 F:1 C:0 high This is a straightforward fantasy action harem series. It contains no modern progressive messaging. While the female characters are hyper-competent and constantly manage the dense male protagonist, this dynamic serves a male power fantasy where the women's ultimate purpose is to empower and orbit the man, which is not a feminist framework. The plot...	W:0 F:0 C:1 high Campione! is a traditional male-targeted harem anime. It contains zero progressive ideological messaging or wokeness. It is anti-feminist in structure, featuring a 'harem' of women who are subservient to and romantically dependent on the male protagonist. While it contains romance and kissing as a power-transfer mechanic, it is targeted at a male a...	W:0 F:1 C:1 high No explicit progressive ideological messaging or consistent tonal framing detected. Feminism is minimal, with no repeated gendered patterns undermining men or elevating women ideologically. The show is action-driven with supernatural and combat themes, not romance or emotional relationships as primary drivers.
Once Upon a Time 2011 - series	W:1 F:2 C:2 gpt-4o-mini_prompt_v4 high The show involves fairy tale characters and stories but does not overtly promote modern progressive ideological messages; however, there are occasional themes that can be interpreted as slightly progressive, particularly in character arcs. The female characters are prominent but do not consistently undermine male characters or oppose traditional ge...	W:1 F:2 C:3 high Once Upon a Time is a fantasy drama that reimagines fairy tale characters in a modern setting. Wokeness is minimal—the show predates much of the modern progressive wave and focuses on traditional fairy tale morality rather than identity politics or social justice messaging. There are some LGBTQ characters introduced in later seasons (notably Ruby/D...	W:2 F:3 C:3 high Once Upon a Time features predominantly female protagonists (Emma, Regina, Snow White, Belle) who drive most major plot decisions and moral arcs. Men are frequently positioned as supporting characters or reformed villains guided by women. The show emphasizes female empowerment through its 'savior' narrative and mother-daughter bonds. However, it la...	No test result	No test result	W:1 F:2 C:3 high Wokeness is minimal with no strong ideological messaging. Feminism is present in some gendered dynamics but not dominant. Chickflick elements are notable due to relationship-driven arcs.	No test result	No test result	W:2 F:3 C:4 high Wokeness: The show's themes are mostly universal, but it features a prominent, plot-central lesbian romance that culminates in a 'true love's kiss' to break a curse. This is a significant narrative element that goes beyond incidental representation, justifying a score above 1, but the show lacks other overt modern ideological messaging. Feminism: T...	W:2 F:3 C:4 high The show features a noticeable shift toward progressive social dynamics in later seasons, including a prominent lesbian romance arc. Feminism is present through a consistent pattern of 'strong female' archetypes who frequently manage or redeem flawed male counterparts, often framing motherhood and female agency as the ultimate moral authority. The...	W:1 F:3 C:4 high Wokeness is minimal, with no explicit progressive ideological messaging or LGBTQ+ narrative weight. Feminism is present through repeated patterns: female characters (e.g., Snow White, Regina) are central, competent, and often morally authoritative, while male characters (e.g., Prince Charming, Rumplestiltskin) are frequently flawed, reckless, or in...
Score 2
Nocebo 2022 - movie	W:2 F:2 C:1 gpt-4o-mini_prompt_v4 high The film explores themes of healing and cultural appropriation, which hints at modern progressive ideas but lacks strong explicit ideological messaging. There are elements that critique traditional power dynamics and portray women as central figures, contributing to the feminism score. However, the narrative's primary focus is not on romance or emo...	W:3 F:2 C:1 high Nocebo is a psychological horror-thriller about a fashion designer suffering from a mysterious illness who hires a Filipino caregiver. The film contains anti-capitalist and anti-colonial messaging through its exploration of exploitative labor practices in the fashion industry, particularly sweatshop conditions. The narrative explicitly frames Weste...	W:2 F:2 C:1 high Nocebo is a psychological horror-thriller about a fashion designer haunted by guilt after her company's negligence causes a factory fire in the Philippines that kills workers, including a woman's daughter. The Filipino caregiver who arrives carries supernatural vengeance. The film contains anti-capitalist themes critiquing Western exploitation of c...	No test result	No test result	W:1 F:2 C:1 high Nocebo (2022) is a psychological thriller with minimal explicit ideological content. There are weak tonal hints of feminism through the female protagonist's role, but no strong progressive messaging. The film's focus on psychological tension and mystery overrides any chickflick elements.	No test result	No test result	W:4 F:2 C:0 high The film's entire plot is an explicit anti-capitalist critique, framing a Western corporation's exploitation of Filipino workers as the central grievance. This social justice messaging is the primary driver of the story. The narrative is dominated by its two female leads, with the main male character being largely passive and sidelined, though the...	W:4 F:3 C:1 high The film features explicit anti-capitalist and social justice messaging regarding Western exploitation of Global South labor. It utilizes a post-colonial lens to frame the narrative conflict. Feminism is present through the depiction of the domestic sphere and the critique of the female protagonist's professional detachment from the consequences of...	W:1 F:2 C:2 high No explicit progressive ideological messaging detected. The film centers on themes of grief, trauma, and cultural superstition, with no clear identity politics or social justice focus. Feminism is implied through the female protagonist's competence and moral authority, but there is no consistent pattern of male incompetence or undermining of tradit...
150 Milligrams 2016 - movie	W:2 F:2 C:1 gpt-4o-mini_prompt_v4 high The film addresses important topics around health and corporate ethics, reflecting a critical stance towards the pharmaceutical industry, which may hint at a progressive ideology. However, explicit progressive messaging is not dominant. The narrative includes a female lead who confronts systemic issues, indicating some feminist elements, but these...	W:1 F:2 C:0 high 150 Milligrams is a French medical thriller based on the true story of a female pulmonologist who fights to expose the dangers of a widely-prescribed diabetes drug. The film is a procedural drama focused on scientific investigation, institutional resistance, and whistleblowing. Wokeness is minimal—the story centers on medical ethics and bureaucrati...	W:2 F:3 C:1 high French drama based on true story of Dr. Irène Frachon who exposed the Mediator pharmaceutical scandal. The film centers on a woman fighting against a corrupt pharmaceutical company and complicit regulatory institutions. While the protagonist is a determined female professional battling powerful systems, this reflects the actual historical events ra...	No test result	No test result	W:1 F:2 C:1 high 150 Milligrams is a French drama based on a true story about a doctor fighting pharmaceutical companies. There is minimal explicit progressive ideological messaging, though the protagonist's gender may subtly influence the feminism score. The film's focus is on systemic corruption, not romance or emotional relationships.	No test result	No test result	W:1 F:3 C:1 high The film's core is a classic whistleblower narrative, not a vehicle for modern progressive ideology. Its wokeness score is low, reflecting a general anti-establishment theme rather than specific identity politics. The feminism score is higher because the protagonist's struggle is explicitly compounded by sexism within a male-dominated medical and c...	W:1 F:2 C:1 high The film is a medical procedural/whistleblower drama. Wokeness is low as it focuses on corporate corruption rather than identity politics. Feminism is moderate because the narrative centers on a female doctor's moral authority against a male-dominated medical establishment, though it remains grounded in the true story. Chickflick is low because the...	W:1 F:3 C:1 high Based on available information, '150 Milligrams' (2016) is a biographical drama about a French whistleblower (Irène Frachon) exposing a pharmaceutical scandal. Wokeness is minimal, limited to a professional setting with no explicit ideological messaging or identity politics. Feminism is present through the protagonist's role as a determined, compet...
The Lord of the Rings: The Rings of Power 2022 - series	W:2 F:2 C:1 gpt-4o-mini_prompt_v4 high The series features some modern progressive themes, such as diversity in casting and portrayals of women's strength, though these elements are not pervasive or deeply integrated into the plot. The gender dynamics show some imbalance, with female characters occasionally elevated, yet there are male characters with significant roles and contributions...	W:3 F:3 C:1 high WOKENESS: The show features deliberate race-conscious casting in a fantasy setting originally conceived as European mythology, which some view as ideological signaling. There's noticeable emphasis on questioning traditional authority and hierarchies, with progressive-coded dialogue about inclusion and breaking from the past. However, explicit progr...	W:3 F:3 C:1 high The show features notable race-blind casting in Tolkien's world, inserting modern diversity into a setting where it wasn't originally present, which represents a deliberate ideological choice. Galadriel is reframed as a warrior-commander whose judgment is repeatedly questioned by male elves who are later proven wrong, creating a pattern where male...	No test result	No test result	W:2 F:3 C:1 high Wokeness score reflects some ideological tone around diversity and inclusion, but lacks strong explicit messaging. Feminism score is higher due to repeated patterns of female authority and moral framing. Chickflick score is low as the show focuses on epic fantasy stakes, not romance.	No test result	No test result	W:3 F:4 C:2 high Wokeness: The show's production employs modern identity politics through its casting choices, breaking established racial depictions from the source material. The narrative reinforces this with a consistent tone where traditional male authority figures are framed as obstacles to be overcome by a progressive female protagonist. Feminism: Gender ideo...	W:3 F:4 C:1 high The show exhibits a consistent ideological tone through the framing of Galadriel as an infallible, hyper-competent warrior whose intuition is constantly dismissed by cautious or short-sighted male authority figures. While explicit modern political dialogue is rare, the narrative voice frequently positions traditional male structures (the High King,...	W:3 F:3 C:1 high The show exhibits noticeable wokeness through racial and gender reimagining of Tolkien's lore, including diverse casting in roles traditionally depicted as white and elevated female leadership in militaristic or authoritative contexts. While not explicitly ideological in dialogue, the consistent tonal framing of traditional hierarchies (e.g., elves...
The Flight Attendant 2020 - series	W:2 F:3 C:2 gpt-4o-mini_prompt_v4 high The show features elements of modern progressive ideology, particularly in the portrayal of relationships and some character dynamics. There are explicit LGBTQ themes, but these are not the core focus of the narrative. Feminism is present, with female characters often navigating a male-dominated world, and there are instances of female agency and c...	W:1 F:2 C:2 high The Flight Attendant is primarily a murder-mystery thriller centered on a female protagonist dealing with alcoholism and a conspiracy. Wokeness is minimal—there are LGBTQ supporting characters (her best friend is gay) but they serve narrative functions without ideological weight or messaging. No progressive lectures or identity politics drive the p...	W:2 F:2 C:2 high The Flight Attendant centers on a messy, flawed female protagonist (Kaley Cuoco) caught in a murder mystery/thriller. The show features a gay best friend character (Griffin) with moderate narrative presence, contributing to a mild wokeness signal. The protagonist's chaotic behavior and alcoholism are not framed through a feminist lens—she's genuine...	No test result	No test result	W:1 F:2 C:2 high Wokeness is minimal with no explicit ideological messaging or consistent progressive tone. Feminism is mildly present through the female lead's agency and some gendered dynamics, but not strongly ideological. Chickflick elements exist due to emotional and relationship-driven subplots, but the thriller/mystery plot dominates.	No test result	No test result	W:2 F:1 C:2 high Wokeness: The protagonist's best friend is a lesbian in a significant, long-term relationship that is central to the B-plot. This representation has narrative weight beyond a background appearance, but the show does not engage in explicit ideological messaging. Feminism: The show has a female lead, but she is portrayed as a deeply flawed, reckless...	W:2 F:3 C:2 high The show features a diverse cast and a prominent gay supporting character with a significant subplot, but the primary focus remains on the mystery. Feminism is present through a consistent pattern of the female lead navigating a world of incompetent or predatory men, often relying on her female social network for survival. While it is female-target...	W:1 F:2 C:3 high The show features incidental LGBTQ+ characters without ideological weight. Feminism is implied through the female lead's competence and occasional gendered dynamics (e.g., male characters as flawed or reckless), but not a dominant theme. Emotional and romantic relationships drive significant plot arcs, though external stakes (mystery, danger) remai...
A Discovery of Witches 2018 - series	W:2 F:3 C:3 gpt-4o-mini_prompt_v4 high The show features themes of inclusivity and diverse relationships between species, which introduces elements of identity politics. While the narrative includes powerful female characters, it doesn't explicitly promote a strong feminist agenda but still demonstrates noticeable gender dynamics. The central romantic relationship drives much of the plo...	W:1 F:2 C:4 high A Discovery of Witches is a supernatural romance adapted from a fantasy novel. WOKENESS: Minimal progressive ideology. The show focuses on witches, vampires, and daemons in a secret magical world, with traditional romance at its core. No meaningful identity politics, social justice messaging, or anti-traditional framing. The interspecies romance vi...	W:2 F:2 C:4 high A Discovery of Witches is a supernatural romance centered on a witch-vampire love story. The show features a female academic protagonist (Diana) who is competent and powerful, but the male lead (Matthew) is equally or more powerful and protective - a traditional romantic dynamic. Some modern progressive tone exists: diverse casting, a gay vampire c...	No test result	No test result	W:1 F:2 C:3 high Wokeness is minimal with no explicit progressive ideology or trans themes. Feminism is subtly present through strong female leads and some gendered dynamics. Chickflick elements are notable as romance and emotional relationships drive much of the plot.	No test result	No test result	W:3 F:3 C:5 high The central plot is a transparent allegory for anti-miscegenation, framing traditional rules as bigotry. Prominent, narratively significant gay characters contribute to the score. The story's feminist themes are evident in the female protagonist's journey to embrace her immense power and assert her agency against male figures who seek to control he...	W:2 F:3 C:4 high The show features a modern progressive tone regarding interracial/interspecies relationships and includes secondary LGBTQ characters with narrative weight. Feminism is present through the 'chosen one' female lead who consistently out-powers and corrects ancient male authority figures. It scores high on chickflick because, despite the supernatural s...	W:2 F:3 C:4 high Wokeness is present but not dominant; some progressive themes (e.g., LGBTQ+ characters with narrative weight, anti-traditionalist framing of supernatural hierarchies) but not consistently reinforced. Feminism is implicit through gendered dynamics (female lead as morally authoritative, male characters often flawed or subordinate) but not overtly ide...
Casual 2015 - series	W:2 F:3 C:3 gpt-4o-mini_prompt_v4 high The show incorporates modern relationships and explores themes of dating, marriage, and contemporary societal norms, which hint at wokeness. It features diverse relationship dynamics, but explicit progressive ideology is not the central focus. The portrayal of men often reflects incompetence or moral flaws, aligning with feminist themes of undermin...	W:2 F:3 C:3 high Casual follows a recently divorced mother and her bachelor brother navigating relationships and modern dating. Wokeness is moderate: the show has a progressive California sensibility with casual acceptance of non-traditional relationships and sexual fluidity, plus some LGBTQ characters with narrative weight, but lacks heavy-handed ideological messa...	W:3 F:3 C:3 high Casual centers on a divorced therapist and her bachelor brother navigating modern dating and family dysfunction. The show treats casual sex, non-traditional family structures, and progressive relationship norms as default and unquestioned. There's consistent ideological tone framing traditional relationships and marriage skeptically. The male lead...	No test result	No test result	W:2 F:3 C:4 high Casual (2015) has a moderate wokeness score due to its modern, progressive tone and some explicit dialogue around relationships and sexuality, though not heavily ideological. Feminism is more pronounced, with recurring themes of female independence and male incompetence. The show is strongly chickflick, as it revolves around emotional and romantic...	No test result	No test result	W:2 F:2 C:4 high The show's content is centered on the messy personal lives of its characters, not ideology. Wokeness is present through a major character's multi-season bisexuality arc and a generally progressive social setting, but it lacks overt political messaging. Feminism is noticeable in the premise, which is kicked off by a husband's infidelity, and in the...	W:2 F:3 C:3 high Casual features a consistent ideological tone that deconstructs traditional family structures and monogamy. Wokeness is moderate, driven by a cynical, secular-progressive worldview and the inclusion of LGBTQ+ storylines (notably a trans character in later seasons). Feminism is present through the framing of the male lead as emotionally stunted and...	W:2 F:3 C:4 high The show centers on modern dating, family dynamics, and personal relationships with a consistent tone critiquing traditional norms (e.g., marriage, masculinity, and family structures). While not overtly ideological, the framing often portrays men as flawed or immature, with women as more emotionally competent. LGBTQ+ characters appear but lack deep...
Score 3
Weapons 2025 - movie	W:3 F:2 C:0 gpt-4o-mini_prompt_v4 high The film includes noticeable ideological content, particularly regarding social justice themes, especially in its framing of authority and action. While it does not heavily advocate for LGBTQ issues, there is some focus on identity politics. The feminist elements are present but not overwhelmingly explicit—there's an implicit critique of traditiona...	W:1 F:1 C:0 high Weapons (2025) is a tense, interconnected thriller about a school shooting and the events leading up to it, told from multiple perspectives. The film focuses on violence, teenage social dynamics, and systemic failures rather than progressive ideology. The cast is diverse but this appears incidental to the setting rather than ideologically driven. G...	W:1 F:1 C:0 low Weapons (2025) is a crime thriller directed by Zach Cregger featuring an ensemble cast in interconnected violent storylines. Based on available information, the film is a dark, gritty thriller focused on crime, violence, and morally ambiguous characters across multiple narratives. No significant progressive ideological messaging, identity politics...	No test result	No test result	W:0 F:0 C:0 low No available information on 'Weapons' (2025) to assess content themes or targeting. Defaulting to lowest scores.	No test result	No test result	W:0 F:0 C:0 high This is an unreleased horror film. Available plot details describe a horror epic involving missing children, a premise that offers no evidence for ideological messaging. The genre is fundamentally incompatible with a chickflick rating. Lacking any information to the contrary, the scores are zero.	W:1 F:1 C:0 low As a Zach Cregger horror-thriller, the film focuses on multi-story mystery and supernatural dread rather than progressive messaging. While it features a diverse ensemble cast, there is no evidence of explicit identity politics or trans-focused themes. Gender dynamics appear neutral within the context of a high-stakes thriller, and the genre focus o...	W:0 F:1 C:1 low Insufficient public information about 'Weapons' (2025) to evaluate ideological themes confidently. Title and genre suggest action/crime focus, reducing likelihood of strong wokeness or chickflick elements. Feminism score minimally elevated due to potential for gendered dynamics in action films, but no evidence of ideological framing.
Nappily Ever After 2018 - movie	W:3 F:4 C:4 gpt-4o-mini_prompt_v4 high The film features explicit themes around self-acceptance and challenges traditional ideals of beauty and relationships, aligning with modern progressive ideology, especially regarding self-image and personal autonomy. Feminist themes are strong, with a clear narrative focus on female empowerment and critique of traditional gender roles, depicting w...	W:2 F:3 C:4 high Wokeness: The film centers on a Black woman's journey of self-acceptance regarding natural hair, which touches on identity politics and beauty standards tied to race. However, the messaging is more personal empowerment than explicit progressive ideology. The hair journey has cultural significance but isn't framed as activist messaging or social jus...	W:3 F:3 C:4 high Nappily Ever After centers on a Black woman's journey to self-acceptance after shaving her head, with natural Black hair politics as a central theme. The film explicitly addresses beauty standards imposed on Black women, framing the protagonist's liberation from relaxers and weaves as empowerment. This constitutes identity-focused progressive messa...	No test result	No test result	W:3 F:4 C:4 high The film has explicit feminist messaging around self-empowerment and rejecting societal beauty standards, particularly for Black women, which elevates both wokeness and feminism scores. The narrative is heavily relationship-driven, focusing on emotional arcs, making it strongly chickflick.	No test result	No test result	W:4 F:4 C:5 high The film's entire premise is an exercise in identity politics, focusing on a Black woman's liberation from Eurocentric beauty standards, making it a textbook example of modern progressive messaging. The narrative is also fundamentally feminist, framing a woman's journey to self-actualization as a rejection of an inadequate male partner and traditio...	W:3 F:4 C:5 high The film centers on identity politics regarding Black hair and beauty standards, framing traditional grooming as a form of societal oppression. It scores high on feminism by portraying the protagonist's liberation as a rejection of male expectations and traditional relationship milestones. As a romance-driven drama focused entirely on female self-d...	W:3 F:4 C:4 high The film centers on a Black woman's journey to self-acceptance and empowerment, explicitly rejecting Eurocentric beauty standards (e.g., hair texture) as a form of progressive ideological messaging. While not overtly activist, the narrative consistently frames traditional beauty norms and relationship expectations as oppressive, aligning with moder...
Thelma & Louise 1991 - movie	W:3 F:4 C:2 gpt-4o-mini_prompt_v4 high The film presents a progressive view on gender roles and critiques traditional masculinity, which aligns with modern feminist ideology, although it does not delve deeply into LGBTQ themes. Its focus on female autonomy indicates a significant feminist angle. However, the narrative's themes of action and road-trip adventure dilute the emotional relat...	W:2 F:4 C:1 high Wokeness: The film contains anti-patriarchal framing and critiques of male authority structures, but lacks the explicit identity politics, social justice messaging, or modern progressive terminology characteristic of higher scores. The ideological tone is present but rooted more in second-wave feminism than contemporary wokeness. Feminism: Strong f...	W:2 F:4 C:2 high Thelma & Louise features strong feminist ideology as its core thematic engine. Men are consistently portrayed as predatory (rapist), controlling (Thelma's husband), sleazy (the truck driver), or criminal (the thief boyfriend). The narrative frames female liberation as escape from male-dominated systems, with law enforcement and patriarchal society...	No test result	No test result	W:2 F:4 C:2 high The film has strong feminist themes with women challenging traditional gender roles and male authority, but lacks explicit modern progressive ideological messaging. The focus on female friendship and rebellion against patriarchy drives the narrative, but it's not primarily a romance or emotion-driven story.	No test result	No test result	W:3 F:5 C:2 high The film's wokeness score is based on its strong anti-patriarchal framing and grievance-based narrative, which are foundational to modern progressive gender ideology, though it lacks contemporary markers like race or trans issues. The feminism score is maxed out because the entire narrative is explicitly structured as a feminist rebellion against a...	W:2 F:5 C:2 high The film is a foundational text for second-wave feminist cinema, explicitly framing the male characters as oppressive, incompetent, or predatory while positioning the female protagonists' rebellion against the patriarchy as a moral necessity. While it lacks modern identity politics or trans-focused themes (keeping wokeness moderate), its gender ide...	W:2 F:4 C:1 high The film contains strong feminist messaging, framing systemic male behavior (harassment, assault, condescension) as oppressive and justifying female rebellion. While not overtly 'woke' by modern standards, its consistent ideological tone aligns with second-wave feminist critiques of patriarchy. No explicit progressive identity politics or LGBTQ the...
Maurice 1987 - movie	W:3 F:2 C:2 gpt-4o-mini_prompt_v4 high The film addresses LGBTQ themes, particularly in relation to homosexual relationships, which contributes to a noticeable degree of wokeness. However, while it does explore gender identity and experiences associated with being gay, it lacks explicit progressive messaging that would elevate the score further. The feminism score reflects some implicit...	W:4 F:0 C:3 high Maurice is a period drama adaptation of E.M. Forster's novel about a gay man's journey to self-acceptance in Edwardian England. The film centers on homosexual identity and same-sex relationships as its primary thematic focus, with explicit romantic and sexual content between male characters. While set in a historical context depicting societal oppr...	W:2 F:1 C:3 high Maurice is a 1987 Merchant Ivory adaptation of E.M. Forster's novel about a gay man in Edwardian England. The film centers on homosexual relationships and identity, giving LGBTQ content significant narrative weight. However, it's a period piece depicting historical attitudes rather than pushing modern progressive ideology—the story critiques repres...	No test result	No test result	W:3 F:1 C:3 high Wokeness is elevated due to the explicit focus on LGBTQ themes and the moral framing of homosexuality as natural and repressed by societal norms. Feminism is minimal, with no significant gendered ideology. Chickflick is moderate as the story is driven by romantic and emotional relationships, though it has deeper thematic layers.	No test result	No test result	W:4 F:0 C:5 high The film's entire narrative is built on a critique of traditional society's condemnation of homosexuality, framing it as ignorant and unjust. This aligns with the core tenets of identity-based grievance and anti-traditionalism, making it ideologically progressive for its time and a precursor to modern wokeness. Feminism is absent; the story is cent...	W:3 F:1 C:4 high The film scores moderately on wokeness because it centers entirely on gay identity and the rejection of traditional social and religious institutions as oppressive. While it lacks modern trans themes, its ideological tone is consistently directional in framing traditional norms as backward. Feminism is low as the focus is almost exclusively on male...	W:3 F:0 C:3 high LGBTQ themes are central to the narrative, with gay relationships explored as a moral and social conflict in a repressive era. While not overtly framed as modern progressive activism, the consistent ideological tone—critiquing traditional norms, religion, and societal repression—aligns with wokeness. No explicit feminist messaging or gendered dynam...
HIS & HERS 2026 - series	W:3 F:4 C:4 gpt-4o-mini_prompt_v4 low The show incorporates noticeable elements of modern progressive ideology, including aspects of identity politics and social justice themes. It presents gender dynamics where female characters often hold moral authority, while male characters are occasionally depicted unfavorably. The narrative heavily centers around emotional and romantic relations...	W:0 F:0 C:0 low Unable to evaluate. 'HIS & HERS' (2026) does not appear to exist as a released or widely documented TV show. No verifiable plot details, themes, or content are available. Without access to actual content, no meaningful assessment of ideological messaging, gender dynamics, or targeting can be made.	W:0 F:0 C:0 low I cannot find any verified information about a TV show titled 'HIS & HERS' from 2026. This title does not appear in any entertainment databases or announcements I have access to. Without confirmed details about the show's actual content, characters, themes, or narrative, I cannot responsibly assign scores. The title alone provides no meaningful bas...	No test result	No test result	W:0 F:0 C:0 low No data available on 'HIS & HERS' (2026) to evaluate content themes or targeting.	No test result	No test result	W:4 F:4 C:5 high The show's premise, a separated couple hosting a relationship podcast, serves as a vehicle for ideological messaging. The female lead, a therapist-in-training, consistently frames issues through a modern progressive lens, treating her 'traditional' male counterpart as a project to be fixed. This dynamic makes explicit ideology and gendered moralizi...	W:1 F:2 C:2 high Based on the source material and production details, the show is a psychological thriller focusing on a fractured marriage and a murder investigation. While it features a dual-perspective narrative that often highlights domestic friction and male shortcomings, the primary driver is mystery and suspense rather than explicit progressive ideology. The...	W:0 F:0 C:0 low No information available about the content or themes of 'HIS & HERS' (2026). Scores default to 0 due to absence of evidence.
Teacup 2024 - series	W:3 F:3 C:2 gpt-4o-mini_prompt_v4 high The show features noticeable progressive themes and promotes modern ideological views through character interactions and plot decisions, reflecting a blend of LGBTQ representation and social justice messaging, though not at an excessive level. Feminism is present in the framing of female characters, who often challenge traditional gender roles and...	W:1 F:1 C:1 high Teacup is a horror-thriller focused on a group of neighbors trapped on a farm by a mysterious hostile force. The narrative is driven by survival, paranoia, and body-horror elements rather than ideological messaging. The cast includes men and women in relatively balanced roles without consistent gendered competence patterns or moral framing favoring...	W:1 F:1 C:1 high Teacup is a sci-fi horror thriller about a rural Georgia family and neighbors facing a mysterious threat that forces them to stay within marked boundaries. The show focuses on survival tension, body horror elements, and paranoia rather than ideological messaging. The cast includes a Black family as protagonists, but this is presented neutrally with...	No test result	No test result	W:1 F:2 C:3 low Wokeness is minimal with only weak tonal hints. Feminism shows some implicit ideology through gendered dynamics. Chickflick is moderate as emotional relationships play a significant role.	No test result	No test result	W:0 F:1 C:0 high The show is a straightforward horror-thriller based on a 1980s novel. The plot centers on a family and community fighting a mysterious external threat. There is no evidence of modern progressive messaging; the themes are survival and community, not social justice. The presence of a capable female lead is standard for the genre and does not constitu...	W:1 F:2 C:1 high Teacup is a rural horror-thriller that avoids explicit progressive messaging or identity politics. It receives a low feminism score due to a recurring dynamic where the female lead manages the emotional and practical failures of her husband (infidelity and incompetence), though this is balanced by the survival-horror stakes. It is not a chickflick,...	W:0 F:0 C:0 low No publicly available plot details, trailers, or promotional material for 'Teacup' (2024) provide sufficient evidence of ideological messaging, gender dynamics, or emotional/romantic focus to justify scoring. Defaulting to 0 due to lack of information.
Score 4
Snow White 2025 - movie	W:4 F:3 C:3 gpt-4o-mini_prompt_v4 high The 2025 'Snow White' film presents explicit progressive themes, including a reimagined take on traditional narratives that question established gender roles and authority. The story likely features strong female characters challenging patriarchal norms, reflecting modern ideologies. There is a focus on emotional relationships, adding to its chickf...	W:4 F:4 C:2 high This 2025 remake exhibits strong progressive ideological framing. Snow White is reimagined as a leadership-focused character who explicitly rejects traditional romance and marriage, stating she dreams of becoming a leader rather than finding true love. The film removes the romantic kiss ending, replacing it with Snow White assuming political power....	W:4 F:4 C:2 high The 2025 Snow White remake explicitly reframes the classic tale with modern progressive ideology. Snow White rejects romantic love as a goal, stating she doesn't need a prince and wants to be a leader instead. The prince is diminished to a minor supporting role. The narrative centers on Snow White's desire to become queen and liberate her kingdom r...	No test result	No test result	W:3 F:4 C:2 high The 2025 'Snow White' adaptation shows clear feminist ideology through its reimagining of traditional gender roles and moral framing, elevating female authority and competence while undermining traditional masculinity. Wokeness is present but not dominant, with some progressive ideological tones and messaging. The chickflick element is moderate, as...	No test result	No test result	W:4 F:5 C:1 low Based on pre-release information, the film is being explicitly re-engineered to align with modern progressive values. The lead actress has stated the story is no longer about finding love but about becoming a leader, framing the original prince as a 'stalker.' The Seven Dwarfs have been replaced by a diverse group of 'magical creatures' to avoid pe...	W:4 F:4 C:2 high The film explicitly pivots from the traditional fairy tale to a modern progressive framework. Wokeness is high due to the intentional replacement of the seven dwarfs with 'magical creatures' to avoid stereotypes and the casting choices aimed at subverting the original European aesthetic. Feminism is a primary driver, as the narrative explicitly rep...	W:4 F:4 C:3 high Based on trailers, interviews, and promotional material, the 2025 'Snow White' appears to heavily emphasize modern progressive themes. Reports indicate a racially diverse cast, including a Black actress as Snow White, and a narrative focus on female empowerment with the dwarfs reimagined as a matriarchal mining collective. The film reportedly frame...
Promising Young Woman 2020 - movie	W:4 F:5 C:1 gpt-4o-mini_prompt_v4 high The film clearly presents modern progressive ideology through its themes surrounding consent, misogyny, and systemic patriarchal issues, generating a strong wokeness score. Feminist ideology is central to the narrative, positioning female empowerment and critique of male behavior as dominant themes, justifying a high feminism score. However, emotio...	W:4 F:5 C:1 high Wokeness: The film explicitly centers on rape culture, toxic masculinity, and systemic protection of male predators. Progressive ideology shapes the narrative through its framing of institutional complicity and gender-based violence as structural problems requiring radical response. The protagonist's vigilante actions are morally contextualized wit...	W:3 F:4 C:2 high The film centers explicitly on rape culture, male complicity, and systemic failure to hold men accountable for sexual assault. Men are consistently framed as predatory, complicit, or morally weak - from the 'nice guys' who prey on drunk women to former classmates who enabled assault. The narrative treats male behavior as a collective problem requir...	No test result	No test result	W:4 F:5 C:1 high The film's explicit focus on sexual assault, systemic misogyny, and the failure of institutions to protect women strongly signals progressive ideological messaging (wokeness). Feminist ideology is central, with men consistently framed as morally flawed and women as morally authoritative. The story is not romance-driven, focusing instead on revenge...	No test result	No test result	W:5 F:5 C:1 high The film's entire narrative is an explicit social justice critique of rape culture and patriarchal systems, making it a clear vehicle for modern progressive ideology. Its feminism is absolute, framing nearly all male characters as complicit or predatory and structuring the plot as a righteous quest for gendered justice. Despite a central romantic s...	W:4 F:5 C:1 high The film is an explicit critique of the 'patriarchy' and 'nice guy' tropes, utilizing a grievance-based narrative to address systemic gender issues and sexual assault. It scores maximum on feminism as it frames almost every male character as morally compromised, complicit, or predatory, while the protagonist's mission is a moral lecture on male acc...	W:2 F:4 C:2 high The film explicitly centers on feminist themes of sexual assault, victim-blaming, and systemic misogyny, framing these issues as morally unambiguous and progressive. While there is no significant LGBTQ or broader progressive ideological content, the consistent gendered framing and moral messaging align closely with modern feminist ideology. The nar...
Rent 2005 - movie	W:4 F:3 C:4 gpt-4o-mini_prompt_v4 high Rent presents explicit ideological content regarding LGBTQ issues, particularly around sexuality and identity, making wokeness a strong theme. Feminist elements are present through the framing of women in positions of moral authority and the critique of traditional norms, though not as pronounced. The narrative is heavily driven by emotional and ro...	W:4 F:1 C:2 high Rent (2005) is a musical adaptation centered on a bohemian community in 1990s New York dealing with poverty, HIV/AIDS, and artistic struggle. The film features multiple LGBTQ characters with significant narrative weight, including gay and lesbian relationships that are central to the plot. A main character (Angel) is a drag queen/trans-identified p...	W:4 F:1 C:3 high Rent centers LGBTQ characters and themes as primary narrative focus - multiple gay/bisexual characters, a prominent transgender character (Angel), and HIV/AIDS as a central dramatic element. The film explicitly celebrates bohemian anti-establishment values, frames traditional work/capitalism negatively (the 'sell out' vs. artist tension with Benny)...	No test result	No test result	W:4 F:2 C:3 high Rent (2005) has strong explicit progressive ideological messaging, particularly around LGBTQ+ themes, poverty, and anti-capitalist sentiment. Feminism is present but not dominant, with some gendered dynamics. The film is relationship-driven but balances emotional arcs with broader social themes.	No test result	No test result	W:5 F:1 C:4 high The film's entire premise is built on modern progressive ideology. It centers on a 'found family' of artists, activists, and LGBTQ individuals defined by their opposition to capitalism ('selling out'), traditionalism, and authority. The narrative explicitly frames their grievance-based, anti-establishment lifestyle as morally superior. Core plotlin...	W:5 F:2 C:3 high Rent is explicitly ideological, centering on identity politics, anti-capitalist activism, and the rejection of traditional societal norms. It features prominent LGBTQ+ and transgender characters (Angel) whose identities are central to the narrative's moral framework. Feminism is present through the framing of Maureen's protest and the rejection of...	W:4 F:2 C:3 high The film prominently features LGBTQ themes, including gay and lesbian relationships as central narrative elements, with progressive ideological framing (e.g., critiques of capitalism, HIV/AIDS activism, and non-traditional family structures). Feminism is present but secondary, with some gendered dynamics (e.g., female characters asserting agency) b...
The Bold Type 2017 - series	W:4 F:4 C:4 gpt-4o-mini_prompt_v4 high 'The Bold Type' features explicit themes of modern progressive ideology, including LGBTQ representation and discussions of social issues, which are central to the narrative. Feminist ideals are consistently present, with women’s empowerment and gender dynamics shaping character interactions. The show is clearly female-targeted, with romantic and em...	W:4 F:4 C:3 high The Bold Type centers on three women working at a feminist magazine (Scarlet), with progressive ideology embedded throughout. Explicit content includes: workplace activism, feminist messaging as core to the magazine's mission, LGBTQ storylines with narrative weight (including a main character's lesbian relationship and exploration of sexuality), di...	W:5 F:5 C:4 high The Bold Type centers on three young women at a Cosmopolitan-style magazine and explicitly tackles progressive social issues as core storylines: LGBTQ identity (main character Kat's bisexual awakening and lesbian relationship is a major arc), workplace sexism, reproductive rights, immigration, breast cancer and BRCA testing, sexual assault, and rac...	No test result	No test result	W:4 F:4 C:3 high The Bold Type consistently features explicit progressive messaging on gender, sexuality, and social justice, with trans and LGBTQ themes given narrative weight. Feminist ideology is central, with male characters often sidelined or flawed. The show is relationship-driven and female-targeted, though not exclusively romance-focused.	No test result	No test result	W:5 F:5 C:5 high The show is set at a progressive women's magazine and centers on three young women. The narrative is explicitly driven by modern progressive ideology, with frequent storylines about social justice, identity politics, and systemic critiques. It is overtly feminist, framing female empowerment and solidarity as its core message while often portraying...	W:5 F:5 C:5 high The series is an explicit vehicle for modern progressive ideology, featuring heavy emphasis on identity politics, social justice activism, and LGBTQ+ themes including non-binary storylines. It utilizes a high-feminism framework where traditional masculinity is frequently critiqued and female authority is morally elevated. The narrative is entirely...	W:4 F:4 C:4 high The show explicitly centers progressive ideological messaging, including LGBTQ+ themes (e.g., a main character's coming-out arc and a transgender storyline), social justice advocacy, and critiques of traditional norms. Feminism is a core thematic driver, with repeated framing of women as morally superior, men as flawed or secondary, and workplace d...
The Good Fight 2017 - series	W:4 F:3 C:1 gpt-4o-mini_prompt_v4 high 'The Good Fight' features strong explicit ideological content that addresses contemporary social justice issues, identity politics, and critiques of traditional power structures. The presence of LGBTQ characters and themes further supports a high wokeness score. The show's feminist elements are present through the portrayal of female authority and...	W:5 F:4 C:1 high The Good Fight is explicitly and consistently progressive in its ideological messaging. The show directly engages with modern progressive causes including Black Lives Matter, Trump resistance, #MeToo, police brutality, voting rights, and LGBTQ issues. Multiple episodes center progressive activism as morally correct, with conservative positions fram...	W:5 F:4 C:1 high The Good Fight is explicitly and unapologetically progressive in its political messaging. The show directly addresses Trump-era politics, #MeToo, Black Lives Matter, police brutality, systemic racism, and LGBTQ rights as central narrative elements rather than background. Characters deliver direct ideological commentary, and progressive viewpoints a...	No test result	No test result	W:4 F:4 C:1 high The Good Fight consistently engages with progressive ideological messaging, particularly around race, gender, and politics, often framing these issues through a modern liberal lens. Feminist ideology is strongly present, with female characters frequently in positions of authority and moral superiority, and traditional masculinity often undermined....	No test result	No test result	W:5 F:5 C:1 high The show's entire premise is a direct reaction to the 2016 election, and its narrative is explicitly driven by modern progressive ideology. Nearly every episode tackles topics like systemic racism, identity politics, and social justice from a clear, unambiguous progressive viewpoint. The show is also fundamentally feminist, centered on powerful fem...	W:5 F:4 C:1 high The Good Fight is explicitly built around modern progressive activism, identity politics, and a direct narrative obsession with the Trump era. It features frequent moral lectures, trans-focused storylines, and a consistent framing of traditional institutions as morally suspect. Feminism is a core driver, with female authority routinely elevated whi...	W:4 F:3 C:2 high The show explicitly engages with modern progressive ideology, including identity politics, social justice themes, and anti-traditional framing. LGBTQ+ characters and storylines, including transgender themes, are given narrative weight and treated as morally authoritative. Feminism is present through repeated gendered dynamics, with women often posi...
Insecure 2016 - series	W:4 F:4 C:3 gpt-4o-mini_prompt_v4 high Insecure includes explicit themes of identity politics, race, and gender, often framing modern progressive ideologies as central to the narrative. Feminist ideology is prevalent, with male characters often depicted as flawed and women asserting moral authority. The emotional and romantic relationships are significant but not the sole focus, justify...	W:3 F:2 C:3 high Insecure centers on a Black woman navigating professional and romantic life in Los Angeles. Wokeness is present through consistent focus on racial identity, microaggressions in workplace settings, and commentary on Black culture and representation, though it avoids heavy-handed lecturing and maintains comedic tone. The show explores gendered dating...	W:3 F:3 C:4 high Insecure centers on Black female friendship and dating in Los Angeles. Race is a consistent thematic focus - workplace microaggressions, code-switching, and Black identity are explored throughout, though often through personal experience rather than overt lecturing. The show features some explicit progressive framing around race relations and datin...	No test result	No test result	W:3 F:4 C:3 high Wokeness: Moderate due to consistent focus on Black identity and modern relationships, but lacks heavy-handed ideological messaging. Feminism: High due to recurring gendered dynamics and moral framing favoring female perspectives. Chickflick: Moderate as romantic and emotional arcs are central but balanced with other life challenges.	No test result	No test result	W:4 F:3 C:5 high The show's narrative is built on modern progressive ideology. It centers on the experiences of Black characters navigating systemic racism, microaggressions, and gentrification. Social justice is an explicit theme via a main character's work at a non-profit. Identity politics (race, gender, sexuality) are not just present but are the core subject m...	W:3 F:4 C:4 high The show centers on identity politics and the Black experience through a modern progressive lens, though it often prioritizes personal messiness over overt moral lecturing. Feminism is high as the narrative consistently frames male characters as secondary, emotionally stunted, or needing correction by the female leads, while prioritizing female car...	W:3 F:4 C:4 high Wokeness: The show centers on Black women's experiences with consistent racial and gender identity themes, though not always framed as overtly progressive. Some explicit discussions of race, microaggressions, and systemic issues appear, but the tone is more observational than preachy. Feminism: Gender dynamics are central, with women often portraye...
When the Levees Broke: A Requiem in Four Acts 2006 - series	W:4 F:2 C:0 gpt-4o-mini_prompt_v4 high The documentary addresses systemic issues, specifically focusing on race and the inequities exposed by Hurricane Katrina, showcasing a clear alignment with modern progressive ideologies. There are strong themes around social justice and the critique of government responses, which suggests significant explicit ideological content. Feminism is presen...	W:4 F:0 C:0 high This Spike Lee documentary about Hurricane Katrina and its aftermath explicitly frames the disaster through a racial justice lens, emphasizing systemic racism, government neglect of Black communities, and institutional failure. The film consistently presents progressive viewpoints on race, class, and government responsibility as moral truth rather...	W:3 F:1 C:0 high Spike Lee's documentary about Hurricane Katrina and the New Orleans levee failures focuses heavily on government failure, racial inequality, and systemic neglect of poor Black communities. The film presents a clear ideological framing that institutional racism and class-based abandonment caused preventable deaths. Government officials (particularly...	No test result	No test result	W:3 F:1 C:0 high The documentary explicitly critiques systemic racism and government failure, aligning with progressive ideological messaging (wokeness). Gender dynamics are not a primary focus, and the content is not female-targeted or romance-driven.	No test result	No test result	W:4 F:0 C:0 high This is a political documentary whose explicit and central thesis is that the Katrina disaster was a catastrophic failure rooted in systemic racism and class-based government neglect. The entire narrative is built on this social justice framework. Gender is not a thematic focus, and as a documentary about a disaster, it has no romantic or relations...	No test result	W:3 F:1 C:0 high The documentary focuses on systemic racial and class injustice during Hurricane Katrina, with explicit critiques of government neglect and institutional racism. While progressive ideological messaging is present (e.g., anti-establishment, social justice framing), it is contextually tied to the historical event rather than modern progressive identit...
Score 5
Tangerine 2015 - movie	W:5 F:2 C:3 gpt-4o-mini_prompt_v4 high The film 'Tangerine' features significant LGBTQ representation and explores issues surrounding transgender identity, explicitly challenging traditional norms. Its narrative and character arcs reflect modern progressive values, placing it firmly in the high wokeness category. While the female leads do have agency, the film does not predominantly fra...	W:4 F:0 C:1 high Tangerine centers on two transgender sex workers navigating Los Angeles on Christmas Eve. The film treats trans identity as normalized and unquestioned, with the protagonists' gender identity integrated into the narrative without debate or challenge. While not explicitly didactic, the film's sympathetic framing of marginalized trans women of color,...	W:4 F:2 C:2 high Tangerine centers entirely on two Black transgender sex workers in Los Angeles, with trans identity and experience as the primary narrative focus. The film treats trans identity as unquestioned and normalized, presenting the characters' lives without moral judgment or external commentary. Trans characters drive all major plot points. While not over...	No test result	No test result	W:4 F:1 C:1 high Tangerine features explicit transgender themes and characters, with trans identity treated as central and morally authoritative, justifying a high wokeness score. Feminism is minimal as gender ideology does not shape the narrative. Chickflick is low as the story is driven by personal and social stakes rather than romance or emotional relationships.	No test result	No test result	W:5 F:3 C:4 high Wokeness: The film's narrative is entirely centered on two transgender women of color. Their gender identity is presented as an unquestionable reality, and their specific social struggles are the core of the story. This aligns with the definition's highest tier for trans-focused content. Feminism: The primary male characters are a cheating pimp and...	W:5 F:2 C:2 high The film is explicitly trans-focused, centering on the lives and struggles of two transgender sex workers, which automatically places it in the highest wokeness tier according to the provided definitions. Feminism is present through the framing of male characters as largely exploitative, unreliable, or pathetic, though the focus is more on subcultu...	W:4 F:2 C:1 high The film centers on transgender sex workers in Los Angeles, with trans identity and LGBTQ themes as a core narrative focus. While not overtly didactic, the portrayal of trans characters and their struggles is treated with unquestioned moral weight, aligning with modern progressive values. Feminism is present in gendered power dynamics (e.g., female...
Milk 2008 - movie	W:5 F:2 C:1 gpt-4o-mini_prompt_v4 high The film 'Milk' explicitly advocates for LGBTQ rights, particularly emphasizing the struggle for gay rights in a historical context and challenging traditional societal norms, thus achieving a high wokeness score. While there are instances of feminist themes regarding equality and social justice, they are not the central focus. The narrative is pri...	W:4 F:0 C:0 high Milk is a biographical political drama centered on Harvey Milk, the first openly gay elected official in California. The film explicitly focuses on LGBTQ identity politics and gay rights activism as its primary thematic content. It frames the struggle for gay rights through a progressive social justice lens, with traditional opposition portrayed as...	W:5 F:1 C:2 high Milk is a biographical film centered entirely on Harvey Milk, the first openly gay elected official in California. LGBTQ identity politics and activism are the explicit, primary focus of the narrative. The film portrays the gay rights movement as morally righteous, frames opposition (particularly religious conservatives like Anita Bryant and the Br...	No test result	No test result	W:4 F:1 C:1 high Milk (2008) is a biographical film about Harvey Milk, the first openly gay elected official in California, with strong LGBTQ advocacy and social justice messaging, justifying a high wokeness score. Feminism is minimal as the focus is on gay rights, not gender ideology. Chickflick score is low as the film is a political drama, not romance-driven.	No test result	No test result	W:5 F:0 C:1 high The film's entire narrative is built around gay rights activism and identity politics, making it a textbook example of a story driven by progressive social justice messaging. Feminism is absent, as the story does not engage with gender dynamics. The film is a political biopic driven by historical conflict, not a romance or relationship drama, makin...	W:4 F:1 C:1 high The film is an explicit study of identity politics and grassroots activism, centering entirely on LGBTQ rights and the struggle against traditional social norms, which places it high on the wokeness scale. Feminism is low as the narrative is almost exclusively focused on male-centric gay political circles of the 1970s. While emotionally charged, it...	W:4 F:1 C:1 high The film centers on LGBTQ+ activism and civil rights, with explicit progressive ideological messaging about identity, discrimination, and social justice. The narrative treats these themes as morally authoritative, reinforcing modern progressive values. Feminism is minimal, as gender dynamics are not a thematic focus. The story is driven by politica...
Dear White People 2017 - series	W:5 F:3 C:1 gpt-4o-mini_prompt_v4 high The series explicitly addresses themes of race, identity politics, and social justice, making modern progressive ideology a central component of its narrative. The characters often engage in discussions that promote anti-traditional viewpoints, particularly around race and identity. Feminist themes are present, with female characters often position...	W:5 F:3 C:1 high This show explicitly centers on race-based identity politics, progressive activism, and social justice messaging as its primary thematic engine. The title itself signals ideological framing. The narrative consistently explores microaggressions, systemic racism, cultural appropriation, and intersectional identity through a modern progressive lens. C...	W:5 F:3 C:1 high Dear White People is explicitly built around identity politics, specifically race relations at an Ivy League university. The show's entire premise centers on social justice activism, with the protagonist hosting a campus radio show calling out racial microaggressions and cultural appropriation. Progressive viewpoints on race are treated as settled...	No test result	No test result	W:4 F:3 C:1 high The show explicitly addresses race, identity politics, and social justice with a progressive ideological tone. Feminism is present through gendered dynamics and moral framing, but not as dominant as race themes. Chickflick elements are minimal, as the focus is on social and political issues rather than romance or emotional relationships.	No test result	No test result	W:5 F:4 C:2 high The show's entire premise is an explicit and sustained lecture on modern progressive ideology, primarily focused on identity politics, race, and social justice. The narrative is driven by grievance-based activism, and progressive viewpoints are treated as settled moral truth. Intersectional feminism is also a core theme, with female characters cons...	W:5 F:4 C:3 high The series is explicitly built on modern progressive ideology, focusing heavily on identity politics, systemic racism, and social justice activism as its primary narrative engine. Feminism is a core component, frequently framing traditional masculinity as problematic and centering female moral authority in social critiques. While it functions as a...	W:5 F:4 C:2 high The show explicitly centers modern progressive ideology, particularly around race, identity politics, and social justice, with consistent messaging framing systemic racism and microaggressions as pervasive and morally urgent. Feminist themes are strong, with repeated patterns of male incompetence, female moral authority, and critiques of traditiona...
Feminism Buckets
Score 1
Hugo 2011 - movie	W:1 F:1 C:1 gpt-4o-mini_prompt_v4 high Hugo does not prominently feature any modern progressive ideology, nor does it have significant thematic elements aligned with feminism. The narrative is more centered on adventure and discovery rather than emotions or romantic relationships, therefore it lacks characteristics of a typical chickflick.	W:0 F:0 C:1 high Hugo is a period fantasy-adventure set in 1930s Paris about an orphaned boy living in a train station who befriends a girl and uncovers the forgotten legacy of filmmaker Georges Méliès. The film is a love letter to early cinema history with no modern progressive messaging. Gender dynamics are neutral—the boy and girl collaborate as equals on their...	W:0 F:0 C:1 high Hugo is Martin Scorsese's love letter to early cinema and Georges Méliès. The story centers on an orphan boy maintaining clocks in a Paris train station while uncovering the mystery of a broken automaton. There is no modern progressive ideological messaging - the film is set in 1930s Paris and focuses on themes of purpose, legacy, and the magic of...	No test result	No test result	W:0 F:1 C:1 high Hugo is a family-friendly adventure film with themes of nostalgia, craftsmanship, and childhood wonder. There is no explicit or consistent progressive ideological messaging. Gender dynamics are neutral, and the story is driven by mystery and adventure rather than romance or emotion.	No test result	No test result	W:0 F:0 C:1 high The film is a historical adventure and a tribute to early cinema, containing no modern progressive ideology. Gender dynamics are balanced, with the male and female leads being equal partners in the central mystery. The story is driven by mystery and adventure, not romance, though the emotional friendship between the two children is a significant su...	W:0 F:1 C:1 high Hugo is a historical tribute to early cinema and preservation. It lacks modern progressive ideological messaging, identity politics, or gender-based grievances. The dynamic between Hugo and Isabelle is balanced and driven by mystery rather than gender ideology. While emotionally resonant, the narrative is driven by a mechanical objective and histor...	W:0 F:1 C:1 high No explicit progressive ideological messaging or consistent tone. Gender dynamics are largely neutral, with no pattern of male incompetence or female moral authority. The film is not romance- or emotion-driven; its primary focus is historical adventure and cinematic innovation.
A Horrible Way to Die 2010 - movie	W:0 F:1 C:0 gpt-4o-mini_prompt_v4 high The film does not contain modern progressive ideological messaging, nor does it explore themes related to identity politics or social justice. There are minimal gender dynamics at play, without significant feminist themes influencing the narrative. The story is primarily a thriller and lacks strong emotional or romantic elements integral to a chick...	W:0 F:0 C:1 high A Horrible Way to Die is a bleak indie thriller about a woman in recovery whose serial killer ex-boyfriend escapes prison and tracks her down. The film is a character study wrapped in a crime narrative, focusing on trauma, addiction, and violence. There is no progressive ideological messaging—no identity politics, no social justice themes, no anti-...	W:1 F:2 C:1 high A Horrible Way to Die is a low-budget indie horror/thriller about a woman in recovery from alcoholism whose serial killer ex-boyfriend escapes prison and tracks her down. The film focuses on trauma, addiction recovery, and a support group setting. No explicit progressive ideological messaging is present. The female protagonist is sympathetic and th...	No test result	No test result	W:0 F:1 C:0 high The film is a dark thriller focused on a serial killer and his ex-girlfriend, with no evident progressive ideological messaging or feminist framing. The narrative is driven by suspense and psychological tension, not romance or emotional relationships.	No test result	No test result	W:0 F:1 C:1 high The film is a bleak, low-budget horror-thriller that predates the widespread use of modern ideological messaging. Its focus is on psychological trauma and suspense, not social commentary. The central conflict involves a woman escaping a monstrous man, but this is a standard horror trope and not framed as a broader feminist critique. While a new rel...	W:0 F:1 C:1 high The film is a gritty, low-budget horror-thriller focused on trauma and addiction recovery. It lacks modern progressive ideological messaging or identity politics. While it features a female protagonist dealing with the aftermath of a relationship with a serial killer, it avoids broader feminist critiques of masculinity or traditional structures, fo...	W:1 F:2 C:1 high The film is a thriller centered on a serial killer and his victims, with minimal ideological framing. There is no explicit progressive messaging or identity politics focus. Feminism is mildly present through the framing of male violence and female victimhood, but not as a dominant ideological theme. The narrative is driven by crime and survival, no...
Police Python 357 1976 - movie	W:0 F:1 C:0 gpt-4o-mini_prompt_v4 high The themes of 'Police Python 357' do not reflect modern progressive ideologies, with no explicit social justice messaging or identity politics present. Feminist elements are minimal, with no significant framing of men as incompetent or women as morally superior. The film is primarily a crime thriller, with no focus on romantic or emotional relation...	W:0 F:0 C:1 high Police Python 357 is a 1976 French crime thriller centered on a police inspector investigating a murder while concealing his own involvement with the victim. The film operates within traditional 1970s European noir conventions with no detectable modern progressive ideology. Gender dynamics reflect the era: male authority figures dominate the narrat...	W:0 F:0 C:1 high Police Python 357 is a French neo-noir crime thriller about a police inspector who becomes entangled in murder and corruption. The film is driven by crime, moral ambiguity, and noir fatalism rather than any progressive ideology. Made in 1976, it predates modern wokeness entirely and contains no feminist messaging - the female characters exist withi...	No test result	No test result	W:0 F:1 C:0 high No evidence of modern progressive ideology or feminist messaging. The film is a crime thriller with traditional gender dynamics and no romantic or emotional focus.	No test result	No test result	W:0 F:1 C:1 high A 1976 French neo-noir. The film contains no modern progressive ideology, focusing instead on classic genre themes of corruption, obsession, and fate. The male leads are deeply flawed and violent, but this is a standard convention of the noir genre, not a feminist critique. A romantic obsession is the catalyst for the plot, but the film is an uncom...	W:0 F:0 C:0 high Police Python 357 is a gritty, nihilistic French neo-noir focused on a lonely, obsessive detective. It lacks modern progressive ideology, maintains traditional (and often cynical) gender dynamics of 1970s crime cinema, and prioritizes procedural tension and violence over romantic or emotional resolution.	W:0 F:1 C:1 high No explicit or consistent progressive ideological messaging detected. The film is a crime thriller with a focus on police procedure and moral ambiguity, not social justice or identity politics. Feminism is minimal; while there is a female character with narrative importance, she is not framed as morally superior or used to critique traditional masc...
Asterix & Obelix: The Big Fight 2025 - series	W:1 F:1 C:0 gpt-4o-mini_prompt_v4 high The themes in 'Asterix & Obelix: The Big Fight' do not prominently feature modern progressive ideology, nor is there a significant feminist framework shaping the narrative. The focus is primarily on adventure and comedy with traditional character roles. Emotional or romantic relationships are not the main drivers of the story, confirming a low chic...	W:0 F:0 C:0 low Unable to locate any verifiable information about a 2025 TV show titled 'Asterix & Obelix: The Big Fight.' This title matches a 1989 animated film, but no 2025 series exists in available records. Without confirmed content to evaluate, all scores default to 0. If this is a forthcoming or regional release not yet documented, actual scores cannot be d...	W:1 F:1 C:0 low This 2025 animated adaptation of the classic Asterix comics follows the traditional formula of Gaulish villagers resisting Roman occupation through slapstick comedy and action. The source material is rooted in 1960s French humor with broad physical comedy and adventure. While modern adaptations sometimes update gender dynamics, the Asterix franchis...	No test result	No test result	W:0 F:0 C:0 high Based on the Asterix & Obelix franchise's historical content, the show likely focuses on humor, adventure, and Gaulish resistance against Romans without modern progressive ideological messaging, feminist framing, or romance-driven narratives.	No test result	No test result	W:0 F:2 C:0 high Based on the 1966 source comic, the story is an action-comedy focused on village rivalry and fighting Romans. There is no evidence of modern progressive messaging. The feminism score reflects the long-standing comedic trope in the franchise of the chief's wife being more sensible than the brawling, childish male villagers, a dynamic that aligns wit...	W:1 F:1 C:0 high Based on the source material and Alain Chabat's established comedic style, the series focuses on slapstick humor, historical satire, and the traditional dynamic of the indomitable Gauls. There is no evidence of modern progressive ideological messaging or gender-based moral framing. The content is action-comedy driven, targeting a general audience w...	W:0 F:1 C:1 high Based on the source material (Asterix comics) and typical adaptations, there is no evidence of modern progressive ideological messaging, LGBTQ+ thematic weight, or anti-traditional framing. Feminism is minimal; while female characters exist, they do not drive gendered moral framing or undermine male roles as a pattern. The show is action-comedy-dri...
Campione! 2012 - series	W:1 F:1 C:2 gpt-4o-mini_prompt_v4 high The series 'Campione!' contains minimal explicit progressive messaging or gender ideology. While it features a variety of female characters, their roles do not significantly undermine male authority or promote feminist ideals. Emotional and romantic elements are present but do not drive the main narrative, which focuses more on action and fantasy t...	W:0 F:0 C:1 high Campione! is a Japanese harem anime based on light novels, centered on a male protagonist who gains god-slaying powers and attracts multiple female companions. The show follows traditional anime harem conventions with a capable male lead and devoted female characters who compete for his attention. There is no progressive ideological messaging—the c...	W:1 F:1 C:2 high Campione! is a Japanese light novel adaptation featuring a male protagonist who gains godlike powers and accumulates a harem of powerful women. The show follows standard harem anime conventions where the male lead is surrounded by competent, often magically powerful women who are romantically interested in him. While women are portrayed as capable...	No test result	No test result	W:0 F:1 C:1 high 'Campione!' is a fantasy action anime with no discernible modern progressive ideological messaging. Gender dynamics are traditional, and the story is driven by supernatural battles rather than emotional or romantic arcs.	No test result	No test result	W:0 F:1 C:0 high This is a straightforward fantasy action harem series. It contains no modern progressive messaging. While the female characters are hyper-competent and constantly manage the dense male protagonist, this dynamic serves a male power fantasy where the women's ultimate purpose is to empower and orbit the man, which is not a feminist framework. The plot...	W:0 F:0 C:1 high Campione! is a traditional male-targeted harem anime. It contains zero progressive ideological messaging or wokeness. It is anti-feminist in structure, featuring a 'harem' of women who are subservient to and romantically dependent on the male protagonist. While it contains romance and kissing as a power-transfer mechanic, it is targeted at a male a...	W:0 F:1 C:1 high No explicit progressive ideological messaging or consistent tonal framing detected. Feminism is minimal, with no repeated gendered patterns undermining men or elevating women ideologically. The show is action-driven with supernatural and combat themes, not romance or emotional relationships as primary drivers.
The Wild Wild West 1965 - series	W:0 F:1 C:0 gpt-4o-mini_prompt_v4 high The show has minimal to no explicit modern progressive ideological messaging or themes. There is a lack of significant gender dynamics that reflect feminist ideology or critique male authority. The focus is primarily on action and adventure rather than emotional or romantic relationships, which keeps the chickflick score low.	W:0 F:0 C:0 high The Wild Wild West (1965) is a Western spy-adventure series featuring two male Secret Service agents in the 1870s. The show focuses on action, gadgetry, espionage plots, and physical confrontation with various villains. There is no modern progressive ideology present—the show predates such frameworks by decades and operates within traditional 1960s...	W:0 F:0 C:0 high The Wild Wild West (1965-1969) is a Western/spy adventure series featuring two male Secret Service agents in the post-Civil War era. The show is entirely action and gadget-driven, reflecting 1960s sensibilities with no modern progressive ideology. Women appear primarily as damsels, love interests, or occasional villains in traditional roles. The se...	No test result	No test result	W:0 F:1 C:0 high The Wild Wild West (1965) is a classic action-adventure series with no discernible modern progressive ideological messaging. Gender dynamics are traditional for the era, and the show is primarily driven by action and espionage rather than emotional or romantic arcs.	No test result	No test result	W:0 F:0 C:0 high A product of the 1960s, this spy-fi Western is built on traditional, patriotic themes. The two male leads are hyper-competent heroes. There is no modern progressive messaging, feminist ideology, or focus on romantic relationships as a primary plot driver. The show is a straightforward action-adventure series with gender roles and values typical of...	W:0 F:0 C:0 high The show is a product of the mid-1960s, emphasizing traditional masculine heroism, American exceptionalism, and Cold War-era geopolitical metaphors. It lacks modern progressive ideology, maintains traditional gender roles where women are frequently damsels or femme fatales, and prioritizes gadget-based action and espionage over emotional or romanti...	W:0 F:1 C:0 high The Wild Wild West (1965) is a classic Western/spy adventure series with no explicit or implicit modern progressive ideological messaging. Feminism is minimal, limited to occasional competent female characters without broader gendered framing. The show is action-driven, with romance and emotional arcs secondary to espionage, danger, and adventure....
Score 2
Weapons 2025 - movie	W:3 F:2 C:0 gpt-4o-mini_prompt_v4 high The film includes noticeable ideological content, particularly regarding social justice themes, especially in its framing of authority and action. While it does not heavily advocate for LGBTQ issues, there is some focus on identity politics. The feminist elements are present but not overwhelmingly explicit—there's an implicit critique of traditiona...	W:1 F:1 C:0 high Weapons (2025) is a tense, interconnected thriller about a school shooting and the events leading up to it, told from multiple perspectives. The film focuses on violence, teenage social dynamics, and systemic failures rather than progressive ideology. The cast is diverse but this appears incidental to the setting rather than ideologically driven. G...	W:1 F:1 C:0 low Weapons (2025) is a crime thriller directed by Zach Cregger featuring an ensemble cast in interconnected violent storylines. Based on available information, the film is a dark, gritty thriller focused on crime, violence, and morally ambiguous characters across multiple narratives. No significant progressive ideological messaging, identity politics...	No test result	No test result	W:0 F:0 C:0 low No available information on 'Weapons' (2025) to assess content themes or targeting. Defaulting to lowest scores.	No test result	No test result	W:0 F:0 C:0 high This is an unreleased horror film. Available plot details describe a horror epic involving missing children, a premise that offers no evidence for ideological messaging. The genre is fundamentally incompatible with a chickflick rating. Lacking any information to the contrary, the scores are zero.	W:1 F:1 C:0 low As a Zach Cregger horror-thriller, the film focuses on multi-story mystery and supernatural dread rather than progressive messaging. While it features a diverse ensemble cast, there is no evidence of explicit identity politics or trans-focused themes. Gender dynamics appear neutral within the context of a high-stakes thriller, and the genre focus o...	W:0 F:1 C:1 low Insufficient public information about 'Weapons' (2025) to evaluate ideological themes confidently. Title and genre suggest action/crime focus, reducing likelihood of strong wokeness or chickflick elements. Feminism score minimally elevated due to potential for gendered dynamics in action films, but no evidence of ideological framing.
Nocebo 2022 - movie	W:2 F:2 C:1 gpt-4o-mini_prompt_v4 high The film explores themes of healing and cultural appropriation, which hints at modern progressive ideas but lacks strong explicit ideological messaging. There are elements that critique traditional power dynamics and portray women as central figures, contributing to the feminism score. However, the narrative's primary focus is not on romance or emo...	W:3 F:2 C:1 high Nocebo is a psychological horror-thriller about a fashion designer suffering from a mysterious illness who hires a Filipino caregiver. The film contains anti-capitalist and anti-colonial messaging through its exploration of exploitative labor practices in the fashion industry, particularly sweatshop conditions. The narrative explicitly frames Weste...	W:2 F:2 C:1 high Nocebo is a psychological horror-thriller about a fashion designer haunted by guilt after her company's negligence causes a factory fire in the Philippines that kills workers, including a woman's daughter. The Filipino caregiver who arrives carries supernatural vengeance. The film contains anti-capitalist themes critiquing Western exploitation of c...	No test result	No test result	W:1 F:2 C:1 high Nocebo (2022) is a psychological thriller with minimal explicit ideological content. There are weak tonal hints of feminism through the female protagonist's role, but no strong progressive messaging. The film's focus on psychological tension and mystery overrides any chickflick elements.	No test result	No test result	W:4 F:2 C:0 high The film's entire plot is an explicit anti-capitalist critique, framing a Western corporation's exploitation of Filipino workers as the central grievance. This social justice messaging is the primary driver of the story. The narrative is dominated by its two female leads, with the main male character being largely passive and sidelined, though the...	W:4 F:3 C:1 high The film features explicit anti-capitalist and social justice messaging regarding Western exploitation of Global South labor. It utilizes a post-colonial lens to frame the narrative conflict. Feminism is present through the depiction of the domestic sphere and the critique of the female protagonist's professional detachment from the consequences of...	W:1 F:2 C:2 high No explicit progressive ideological messaging detected. The film centers on themes of grief, trauma, and cultural superstition, with no clear identity politics or social justice focus. Feminism is implied through the female protagonist's competence and moral authority, but there is no consistent pattern of male incompetence or undermining of tradit...
Chacun pour tous 2018 - movie	W:1 F:2 C:2 gpt-4o-mini_prompt_v4 high The film presents minimal explicit progressive messaging, primarily focusing on humor and character development without strong ideological framing. There are some patterns of gender dynamics, but they are not pronounced enough to strongly signify feminist ideology. Emotional elements exist but are not the primary drivers of the plot, hence a low sc...	W:4 F:1 C:1 high French comedy about a group of people with Down syndrome who organize a heist after their caretaker embezzles funds. The film centers disability representation and frames the intellectually disabled protagonists as capable, autonomous, and morally superior to the neurotypical characters who underestimate or exploit them. This is explicit progressiv...	W:2 F:1 C:1 low French comedy about wealthy men who bet on coaching intellectually disabled athletes for the Special Olympics. The disability inclusion theme is central but played for broad comedy rather than progressive lecturing. The film focuses on the men's redemption arc and friendship rather than identity politics. Some mild messaging about acceptance and no...	No test result	No test result	W:1 F:1 C:2 high The film focuses on a sports drama with minimal ideological messaging or feminist framing. Emotional elements are present but not the primary driver.	No test result	No test result	W:0 F:0 C:0 high The film is a sports comedy about a real-life fraud case involving a Paralympic basketball team. Its themes are disability, cheating, and redemption, not modern progressive ideology. The narrative is male-centric and focused on the team's deception, with no feminist subtext. The plot is driven by the sports competition and the moral conflict, not b...	W:1 F:1 C:1 high The film is a sports comedy based on the true story of the 2000 Spanish Paralympic basketball scandal. It focuses on disability ethics and deception rather than modern progressive identity politics. While it features a diverse cast in terms of ability, it lacks explicit ideological messaging or feminist framing. The narrative is driven by a sports...	W:1 F:1 C:1 low Based on available information, 'Chacun pour tous' (2018) is a French comedy centered on a man navigating personal and professional chaos. There is no clear evidence of explicit progressive ideological messaging, consistent ideological tone, or significant focus on identity politics. Feminist themes are not prominently shaping character roles or mo...
150 Milligrams 2016 - movie	W:2 F:2 C:1 gpt-4o-mini_prompt_v4 high The film addresses important topics around health and corporate ethics, reflecting a critical stance towards the pharmaceutical industry, which may hint at a progressive ideology. However, explicit progressive messaging is not dominant. The narrative includes a female lead who confronts systemic issues, indicating some feminist elements, but these...	W:1 F:2 C:0 high 150 Milligrams is a French medical thriller based on the true story of a female pulmonologist who fights to expose the dangers of a widely-prescribed diabetes drug. The film is a procedural drama focused on scientific investigation, institutional resistance, and whistleblowing. Wokeness is minimal—the story centers on medical ethics and bureaucrati...	W:2 F:3 C:1 high French drama based on true story of Dr. Irène Frachon who exposed the Mediator pharmaceutical scandal. The film centers on a woman fighting against a corrupt pharmaceutical company and complicit regulatory institutions. While the protagonist is a determined female professional battling powerful systems, this reflects the actual historical events ra...	No test result	No test result	W:1 F:2 C:1 high 150 Milligrams is a French drama based on a true story about a doctor fighting pharmaceutical companies. There is minimal explicit progressive ideological messaging, though the protagonist's gender may subtly influence the feminism score. The film's focus is on systemic corruption, not romance or emotional relationships.	No test result	No test result	W:1 F:3 C:1 high The film's core is a classic whistleblower narrative, not a vehicle for modern progressive ideology. Its wokeness score is low, reflecting a general anti-establishment theme rather than specific identity politics. The feminism score is higher because the protagonist's struggle is explicitly compounded by sexism within a male-dominated medical and c...	W:1 F:2 C:1 high The film is a medical procedural/whistleblower drama. Wokeness is low as it focuses on corporate corruption rather than identity politics. Feminism is moderate because the narrative centers on a female doctor's moral authority against a male-dominated medical establishment, though it remains grounded in the true story. Chickflick is low because the...	W:1 F:3 C:1 high Based on available information, '150 Milligrams' (2016) is a biographical drama about a French whistleblower (Irène Frachon) exposing a pharmaceutical scandal. Wokeness is minimal, limited to a professional setting with no explicit ideological messaging or identity politics. Feminism is present through the protagonist's role as a determined, compet...
Tangerine 2015 - movie	W:5 F:2 C:3 gpt-4o-mini_prompt_v4 high The film 'Tangerine' features significant LGBTQ representation and explores issues surrounding transgender identity, explicitly challenging traditional norms. Its narrative and character arcs reflect modern progressive values, placing it firmly in the high wokeness category. While the female leads do have agency, the film does not predominantly fra...	W:4 F:0 C:1 high Tangerine centers on two transgender sex workers navigating Los Angeles on Christmas Eve. The film treats trans identity as normalized and unquestioned, with the protagonists' gender identity integrated into the narrative without debate or challenge. While not explicitly didactic, the film's sympathetic framing of marginalized trans women of color,...	W:4 F:2 C:2 high Tangerine centers entirely on two Black transgender sex workers in Los Angeles, with trans identity and experience as the primary narrative focus. The film treats trans identity as unquestioned and normalized, presenting the characters' lives without moral judgment or external commentary. Trans characters drive all major plot points. While not over...	No test result	No test result	W:4 F:1 C:1 high Tangerine features explicit transgender themes and characters, with trans identity treated as central and morally authoritative, justifying a high wokeness score. Feminism is minimal as gender ideology does not shape the narrative. Chickflick is low as the story is driven by personal and social stakes rather than romance or emotional relationships.	No test result	No test result	W:5 F:3 C:4 high Wokeness: The film's narrative is entirely centered on two transgender women of color. Their gender identity is presented as an unquestionable reality, and their specific social struggles are the core of the story. This aligns with the definition's highest tier for trans-focused content. Feminism: The primary male characters are a cheating pimp and...	W:5 F:2 C:2 high The film is explicitly trans-focused, centering on the lives and struggles of two transgender sex workers, which automatically places it in the highest wokeness tier according to the provided definitions. Feminism is present through the framing of male characters as largely exploitative, unreliable, or pathetic, though the focus is more on subcultu...	W:4 F:2 C:1 high The film centers on transgender sex workers in Los Angeles, with trans identity and LGBTQ themes as a core narrative focus. While not overtly didactic, the portrayal of trans characters and their struggles is treated with unquestioned moral weight, aligning with modern progressive values. Feminism is present in gendered power dynamics (e.g., female...
Happy Christmas 2014 - movie	W:1 F:2 C:3 gpt-4o-mini_prompt_v4 high The film includes some modern elements like an emphasis on personal freedom and adult relationships but lacks explicit progressive ideology or social justice themes. The feminist score reflects instances of gender dynamics, although it's not the primary focus. The chickflick score is moderate as emotional and romantic relationships do play a promin...	W:1 F:2 C:3 high Happy Christmas is a low-key mumblecore dramedy about a messy woman disrupting her brother's family life. Wokeness is minimal—no progressive messaging, identity politics, or ideological framing; it's a character study set in liberal Chicago but without activist content. Feminism scores moderately: the female lead is irresponsible and flawed (not a...	W:1 F:2 C:3 high Happy Christmas is a low-key mumblecore drama about a messy younger sister (Anna Kendrick) crashing with her brother's family and disrupting their lives. The film centers on female relationships and a novelist mother's creative/domestic struggles. There's no explicit progressive messaging or identity politics. The feminism score reflects the focus...	No test result	No test result	W:1 F:2 C:3 high Minimal explicit progressive ideology, but some gendered dynamics elevate feminism slightly. Relationship-driven narrative fits chickflick criteria.	No test result	No test result	W:0 F:2 C:3 high The film is an apolitical, slice-of-life character study with no discernible ideological messaging. A minor feminist theme is present in the subplot of a mother struggling to reclaim her creative identity, but it lacks any anti-male bias and the husband character is supportive. The story is entirely driven by emotional and domestic relationship dyn...	W:1 F:3 C:4 high The film focuses on female-centric domestic dynamics and the tension between motherhood and career. While it lacks explicit progressive activism, it earns a moderate feminism score by framing the male lead as a somewhat passive, managing figure while the women navigate personal liberation and the 'burden' of traditional domesticity. It is a high-le...	W:1 F:2 C:4 high The film centers on interpersonal relationships and emotional dynamics among women, with minimal ideological framing. There is no explicit progressive messaging, though some gendered patterns (e.g., men as flawed or peripheral) subtly reinforce mild feminist undertones. The narrative is overwhelmingly driven by romantic and emotional arcs, targetin...
Milk 2008 - movie	W:5 F:2 C:1 gpt-4o-mini_prompt_v4 high The film 'Milk' explicitly advocates for LGBTQ rights, particularly emphasizing the struggle for gay rights in a historical context and challenging traditional societal norms, thus achieving a high wokeness score. While there are instances of feminist themes regarding equality and social justice, they are not the central focus. The narrative is pri...	W:4 F:0 C:0 high Milk is a biographical political drama centered on Harvey Milk, the first openly gay elected official in California. The film explicitly focuses on LGBTQ identity politics and gay rights activism as its primary thematic content. It frames the struggle for gay rights through a progressive social justice lens, with traditional opposition portrayed as...	W:5 F:1 C:2 high Milk is a biographical film centered entirely on Harvey Milk, the first openly gay elected official in California. LGBTQ identity politics and activism are the explicit, primary focus of the narrative. The film portrays the gay rights movement as morally righteous, frames opposition (particularly religious conservatives like Anita Bryant and the Br...	No test result	No test result	W:4 F:1 C:1 high Milk (2008) is a biographical film about Harvey Milk, the first openly gay elected official in California, with strong LGBTQ advocacy and social justice messaging, justifying a high wokeness score. Feminism is minimal as the focus is on gay rights, not gender ideology. Chickflick score is low as the film is a political drama, not romance-driven.	No test result	No test result	W:5 F:0 C:1 high The film's entire narrative is built around gay rights activism and identity politics, making it a textbook example of a story driven by progressive social justice messaging. Feminism is absent, as the story does not engage with gender dynamics. The film is a political biopic driven by historical conflict, not a romance or relationship drama, makin...	W:4 F:1 C:1 high The film is an explicit study of identity politics and grassroots activism, centering entirely on LGBTQ rights and the struggle against traditional social norms, which places it high on the wokeness scale. Feminism is low as the narrative is almost exclusively focused on male-centric gay political circles of the 1970s. While emotionally charged, it...	W:4 F:1 C:1 high The film centers on LGBTQ+ activism and civil rights, with explicit progressive ideological messaging about identity, discrimination, and social justice. The narrative treats these themes as morally authoritative, reinforcing modern progressive values. Feminism is minimal, as gender dynamics are not a thematic focus. The story is driven by politica...
Someone Like You... 2001 - movie	W:1 F:2 C:4 gpt-4o-mini_prompt_v4 high The film contains minimal explicit modern progressive ideology. While it includes female leads and themes of independence, it does not significantly challenge traditional gender roles or authority throughout the narrative. The focus on romantic relationships as the primary driver of the story, paired with emotional arcs, justifies a high chickflick...	W:0 F:1 C:5 high Someone Like You is a straightforward romantic comedy from 2001 with no detectable modern progressive ideology. The film centers on a woman (Ashley Judd) navigating workplace romance and heartbreak, using a pseudoscientific 'Old Cow Theory' as a comedic device. While the female protagonist is competent and the male love interest (Hugh Jackman) is i...	W:1 F:2 C:5 high This Ashley Judd/Hugh Jackman romantic comedy centers entirely on dating, heartbreak, and finding love in New York City. The plot revolves around Judd's character developing a pseudo-scientific 'old cow/new cow' theory about why men leave women, which frames male behavior as biologically programmed infidelity. While this creates a mild pattern of m...	No test result	No test result	W:1 F:2 C:4 high The film lacks explicit progressive ideological messaging, focusing more on personal relationships. Some implicit feminist tones emerge through female agency in romantic dynamics. The story is strongly romance-driven, targeting female audiences.	No test result	No test result	W:0 F:2 C:5 high The film's 2001-era 'battle of the sexes' theme is not ideologically woke. Its central premise involves a woman developing a cynical theory about men being inherently unreliable after a bad breakup, giving it a noticeable feminist angle, though this is ultimately resolved through a conventional romantic plot. The story is entirely driven by romanti...	W:1 F:3 C:5 high The film is a quintessential early-2000s romantic comedy driven entirely by relationship dynamics and female-targeted emotional arcs. It scores moderately on feminism due to its central 'Old Cow/New Cow' pseudo-scientific theory which frames male behavior as biologically flawed and inherently unfaithful, though it ultimately resolves in a tradition...	W:1 F:2 C:4 high The film is a romantic comedy centered on female emotional and romantic struggles, with no explicit progressive ideological messaging. Wokeness is minimal, limited to incidental modern settings without ideological framing. Feminism is present but mild: the protagonist is independent and career-focused, and traditional relationships are questioned,...
Maurice 1987 - movie	W:3 F:2 C:2 gpt-4o-mini_prompt_v4 high The film addresses LGBTQ themes, particularly in relation to homosexual relationships, which contributes to a noticeable degree of wokeness. However, while it does explore gender identity and experiences associated with being gay, it lacks explicit progressive messaging that would elevate the score further. The feminism score reflects some implicit...	W:4 F:0 C:3 high Maurice is a period drama adaptation of E.M. Forster's novel about a gay man's journey to self-acceptance in Edwardian England. The film centers on homosexual identity and same-sex relationships as its primary thematic focus, with explicit romantic and sexual content between male characters. While set in a historical context depicting societal oppr...	W:2 F:1 C:3 high Maurice is a 1987 Merchant Ivory adaptation of E.M. Forster's novel about a gay man in Edwardian England. The film centers on homosexual relationships and identity, giving LGBTQ content significant narrative weight. However, it's a period piece depicting historical attitudes rather than pushing modern progressive ideology—the story critiques repres...	No test result	No test result	W:3 F:1 C:3 high Wokeness is elevated due to the explicit focus on LGBTQ themes and the moral framing of homosexuality as natural and repressed by societal norms. Feminism is minimal, with no significant gendered ideology. Chickflick is moderate as the story is driven by romantic and emotional relationships, though it has deeper thematic layers.	No test result	No test result	W:4 F:0 C:5 high The film's entire narrative is built on a critique of traditional society's condemnation of homosexuality, framing it as ignorant and unjust. This aligns with the core tenets of identity-based grievance and anti-traditionalism, making it ideologically progressive for its time and a precursor to modern wokeness. Feminism is absent; the story is cent...	W:3 F:1 C:4 high The film scores moderately on wokeness because it centers entirely on gay identity and the rejection of traditional social and religious institutions as oppressive. While it lacks modern trans themes, its ideological tone is consistently directional in framing traditional norms as backward. Feminism is low as the focus is almost exclusively on male...	W:3 F:0 C:3 high LGBTQ themes are central to the narrative, with gay relationships explored as a moral and social conflict in a repressive era. While not overtly framed as modern progressive activism, the consistent ideological tone—critiquing traditional norms, religion, and societal repression—aligns with wokeness. No explicit feminist messaging or gendered dynam...
The Lord of the Rings: The Rings of Power 2022 - series	W:2 F:2 C:1 gpt-4o-mini_prompt_v4 high The series features some modern progressive themes, such as diversity in casting and portrayals of women's strength, though these elements are not pervasive or deeply integrated into the plot. The gender dynamics show some imbalance, with female characters occasionally elevated, yet there are male characters with significant roles and contributions...	W:3 F:3 C:1 high WOKENESS: The show features deliberate race-conscious casting in a fantasy setting originally conceived as European mythology, which some view as ideological signaling. There's noticeable emphasis on questioning traditional authority and hierarchies, with progressive-coded dialogue about inclusion and breaking from the past. However, explicit progr...	W:3 F:3 C:1 high The show features notable race-blind casting in Tolkien's world, inserting modern diversity into a setting where it wasn't originally present, which represents a deliberate ideological choice. Galadriel is reframed as a warrior-commander whose judgment is repeatedly questioned by male elves who are later proven wrong, creating a pattern where male...	No test result	No test result	W:2 F:3 C:1 high Wokeness score reflects some ideological tone around diversity and inclusion, but lacks strong explicit messaging. Feminism score is higher due to repeated patterns of female authority and moral framing. Chickflick score is low as the show focuses on epic fantasy stakes, not romance.	No test result	No test result	W:3 F:4 C:2 high Wokeness: The show's production employs modern identity politics through its casting choices, breaking established racial depictions from the source material. The narrative reinforces this with a consistent tone where traditional male authority figures are framed as obstacles to be overcome by a progressive female protagonist. Feminism: Gender ideo...	W:3 F:4 C:1 high The show exhibits a consistent ideological tone through the framing of Galadriel as an infallible, hyper-competent warrior whose intuition is constantly dismissed by cautious or short-sighted male authority figures. While explicit modern political dialogue is rare, the narrative voice frequently positions traditional male structures (the High King,...	W:3 F:3 C:1 high The show exhibits noticeable wokeness through racial and gender reimagining of Tolkien's lore, including diverse casting in roles traditionally depicted as white and elevated female leadership in militaristic or authoritative contexts. While not explicitly ideological in dialogue, the consistent tonal framing of traditional hierarchies (e.g., elves...
Servant 2019 - series	W:1 F:2 C:0 gpt-4o-mini_prompt_v4 high While 'Servant' features themes of loss and identity, it largely avoids explicit progressive ideological content. There are minimal signals of modern progressive ideology, mainly in character interactions that suggest a critique of traditional roles. However, these are not strong enough to elevate the score significantly. The dynamics between chara...	W:1 F:1 C:1 high Servant is a psychological horror-thriller centered on a wealthy Philadelphia couple dealing with tragedy through a mysterious nanny and a reborn doll. The show focuses on supernatural mystery, dread, and class tension rather than progressive messaging. The female lead (Dorothy) is deeply flawed and unreliable, while her husband (Sean) is competent...	W:1 F:2 C:1 high Servant is a psychological horror/thriller focused on grief, religious fanaticism, and supernatural ambiguity. The show centers on a wealthy Philadelphia couple dealing with trauma after losing their infant. There is no meaningful progressive ideological messaging - the narrative explores cult dynamics, faith, and psychological manipulation rather...	No test result	No test result	W:1 F:1 C:1 high 'Servant' is a psychological horror-thriller with minimal ideological messaging or feminist framing. Its focus is on suspense and supernatural elements, not progressive themes or gender ideology. Emotional relationships are present but secondary to the central mystery.	No test result	No test result	W:0 F:3 C:0 high The show is a psychological horror story focused on grief and supernatural events, with no discernible progressive messaging. The feminism score reflects a consistent narrative pattern where the female characters (a delusional mother and a supernaturally-powered nanny) hold all the agency and power, while the male characters are consistently reacti...	W:1 F:2 C:1 high The show focuses on a traditional wealthy family unit and religious cultism rather than modern progressive politics. Wokeness is low as it lacks explicit identity politics or trans themes. Feminism is moderate; while the female lead is often the source of chaos, the male characters are frequently portrayed as deceptive, enabling, or emotionally stu...	W:1 F:2 C:2 low Wokeness is minimal, with no explicit progressive ideological messaging or consistent tone. Feminism is present in subtle gendered dynamics, such as the female lead's competence and moral authority over male characters, but not a dominant theme. The show is psychological horror with emotional and relational elements, but external stakes (e.g., myst...
Haters Back Off 2016 - series	W:1 F:2 C:3 gpt-4o-mini_prompt_v4 high The show features some mild progressive elements, primarily through character dynamics and humor but lacks substantial ideological grounding. It occasionally portrays traditional norms in a negative light, though this is not a central theme. The feminist score reflects the presence of competent female characters, but male characters also retain age...	W:0 F:1 C:1 high Haters Back Off is a cringe comedy centered on Miranda Sings, a delusional aspiring performer. The show is character-driven absurdist humor focused on narcissism and family dysfunction, not progressive ideology. There's no meaningful LGBTQ content, social justice messaging, or identity politics. The protagonist is female and often clashes with male...	W:1 F:1 C:2 high Haters Back Off centers on Miranda Sings, a delusional aspiring YouTube star, and her dysfunctional family. The show is primarily a cringe comedy about narcissism and delusion rather than ideological messaging. No significant progressive themes, identity politics, or social justice content drives the narrative. The uncle character is portrayed as c...	No test result	No test result	W:1 F:2 C:2 high Wokeness is minimal with no explicit progressive ideology or trans themes. Feminism is slightly elevated due to some gendered dynamics and female authority figures. Chickflick elements are present but not dominant, focusing more on eccentric character humor than romance.	No test result	No test result	W:0 F:0 C:1 high The show is a cringe-comedy satire focused on a delusional, narcissistic character's quest for fame. It contains no progressive ideological messaging. Both male and female characters are portrayed as pathetic and incompetent, showing no gendered pattern of moral authority or blame. While relationship subplots exist, they are secondary to the centra...	W:1 F:1 C:1 high The show focuses on a delusional, narcissistic protagonist and her dysfunctional family. It lacks modern progressive ideological messaging or social justice themes. While the cast is female-led, it does not promote feminist ideals; rather, it portrays the female characters as deeply flawed, incompetent, and socially maladaptive. The narrative is dr...	W:1 F:2 C:3 high Wokeness is minimal, with no explicit progressive ideological messaging or consistent tone. Feminism is implied through the show's framing of the female protagonist as a misunderstood, self-made artist while male characters (particularly her brother) are often portrayed as immature or incompetent, though not in a heavily ideological way. The show i...
Once Upon a Time 2011 - series	W:1 F:2 C:2 gpt-4o-mini_prompt_v4 high The show involves fairy tale characters and stories but does not overtly promote modern progressive ideological messages; however, there are occasional themes that can be interpreted as slightly progressive, particularly in character arcs. The female characters are prominent but do not consistently undermine male characters or oppose traditional ge...	W:1 F:2 C:3 high Once Upon a Time is a fantasy drama that reimagines fairy tale characters in a modern setting. Wokeness is minimal—the show predates much of the modern progressive wave and focuses on traditional fairy tale morality rather than identity politics or social justice messaging. There are some LGBTQ characters introduced in later seasons (notably Ruby/D...	W:2 F:3 C:3 high Once Upon a Time features predominantly female protagonists (Emma, Regina, Snow White, Belle) who drive most major plot decisions and moral arcs. Men are frequently positioned as supporting characters or reformed villains guided by women. The show emphasizes female empowerment through its 'savior' narrative and mother-daughter bonds. However, it la...	No test result	No test result	W:1 F:2 C:3 high Wokeness is minimal with no strong ideological messaging. Feminism is present in some gendered dynamics but not dominant. Chickflick elements are notable due to relationship-driven arcs.	No test result	No test result	W:2 F:3 C:4 high Wokeness: The show's themes are mostly universal, but it features a prominent, plot-central lesbian romance that culminates in a 'true love's kiss' to break a curse. This is a significant narrative element that goes beyond incidental representation, justifying a score above 1, but the show lacks other overt modern ideological messaging. Feminism: T...	W:2 F:3 C:4 high The show features a noticeable shift toward progressive social dynamics in later seasons, including a prominent lesbian romance arc. Feminism is present through a consistent pattern of 'strong female' archetypes who frequently manage or redeem flawed male counterparts, often framing motherhood and female agency as the ultimate moral authority. The...	W:1 F:3 C:4 high Wokeness is minimal, with no explicit progressive ideological messaging or LGBTQ+ narrative weight. Feminism is present through repeated patterns: female characters (e.g., Snow White, Regina) are central, competent, and often morally authoritative, while male characters (e.g., Prince Charming, Rumplestiltskin) are frequently flawed, reckless, or in...
When the Levees Broke: A Requiem in Four Acts 2006 - series	W:4 F:2 C:0 gpt-4o-mini_prompt_v4 high The documentary addresses systemic issues, specifically focusing on race and the inequities exposed by Hurricane Katrina, showcasing a clear alignment with modern progressive ideologies. There are strong themes around social justice and the critique of government responses, which suggests significant explicit ideological content. Feminism is presen...	W:4 F:0 C:0 high This Spike Lee documentary about Hurricane Katrina and its aftermath explicitly frames the disaster through a racial justice lens, emphasizing systemic racism, government neglect of Black communities, and institutional failure. The film consistently presents progressive viewpoints on race, class, and government responsibility as moral truth rather...	W:3 F:1 C:0 high Spike Lee's documentary about Hurricane Katrina and the New Orleans levee failures focuses heavily on government failure, racial inequality, and systemic neglect of poor Black communities. The film presents a clear ideological framing that institutional racism and class-based abandonment caused preventable deaths. Government officials (particularly...	No test result	No test result	W:3 F:1 C:0 high The documentary explicitly critiques systemic racism and government failure, aligning with progressive ideological messaging (wokeness). Gender dynamics are not a primary focus, and the content is not female-targeted or romance-driven.	No test result	No test result	W:4 F:0 C:0 high This is a political documentary whose explicit and central thesis is that the Katrina disaster was a catastrophic failure rooted in systemic racism and class-based government neglect. The entire narrative is built on this social justice framework. Gender is not a thematic focus, and as a documentary about a disaster, it has no romantic or relations...	No test result	W:3 F:1 C:0 high The documentary focuses on systemic racial and class injustice during Hurricane Katrina, with explicit critiques of government neglect and institutional racism. While progressive ideological messaging is present (e.g., anti-establishment, social justice framing), it is contextually tied to the historical event rather than modern progressive identit...
Score 3
Snow White 2025 - movie	W:4 F:3 C:3 gpt-4o-mini_prompt_v4 high The 2025 'Snow White' film presents explicit progressive themes, including a reimagined take on traditional narratives that question established gender roles and authority. The story likely features strong female characters challenging patriarchal norms, reflecting modern ideologies. There is a focus on emotional relationships, adding to its chickf...	W:4 F:4 C:2 high This 2025 remake exhibits strong progressive ideological framing. Snow White is reimagined as a leadership-focused character who explicitly rejects traditional romance and marriage, stating she dreams of becoming a leader rather than finding true love. The film removes the romantic kiss ending, replacing it with Snow White assuming political power....	W:4 F:4 C:2 high The 2025 Snow White remake explicitly reframes the classic tale with modern progressive ideology. Snow White rejects romantic love as a goal, stating she doesn't need a prince and wants to be a leader instead. The prince is diminished to a minor supporting role. The narrative centers on Snow White's desire to become queen and liberate her kingdom r...	No test result	No test result	W:3 F:4 C:2 high The 2025 'Snow White' adaptation shows clear feminist ideology through its reimagining of traditional gender roles and moral framing, elevating female authority and competence while undermining traditional masculinity. Wokeness is present but not dominant, with some progressive ideological tones and messaging. The chickflick element is moderate, as...	No test result	No test result	W:4 F:5 C:1 low Based on pre-release information, the film is being explicitly re-engineered to align with modern progressive values. The lead actress has stated the story is no longer about finding love but about becoming a leader, framing the original prince as a 'stalker.' The Seven Dwarfs have been replaced by a diverse group of 'magical creatures' to avoid pe...	W:4 F:4 C:2 high The film explicitly pivots from the traditional fairy tale to a modern progressive framework. Wokeness is high due to the intentional replacement of the seven dwarfs with 'magical creatures' to avoid stereotypes and the casting choices aimed at subverting the original European aesthetic. Feminism is a primary driver, as the narrative explicitly rep...	W:4 F:4 C:3 high Based on trailers, interviews, and promotional material, the 2025 'Snow White' appears to heavily emphasize modern progressive themes. Reports indicate a racially diverse cast, including a Black actress as Snow White, and a narrative focus on female empowerment with the dwarfs reimagined as a matriarchal mining collective. The film reportedly frame...
Choke 2008 - movie	W:1 F:3 C:1 gpt-4o-mini_prompt_v4 high The movie has weak explicit signals of modern progressive ideology, with some tones present but not consistently reinforced. There is a noticeable focus on gender dynamics, particularly in how male characters are portrayed, which grants it a moderate feminism score. However, the primary plot does not revolve around emotional or romantic relationshi...	W:1 F:1 C:0 high Choke is a dark comedy adapted from Chuck Palahniuk's novel about a sex-addicted con artist who fakes choking in restaurants. The film is transgressive and cynical rather than ideologically progressive. It features morally compromised characters across genders without clear progressive messaging. The protagonist's sexual compulsions and manipulatio...	W:1 F:2 C:1 high Based on Chuck Palahniuk's novel, this dark comedy follows a sex addict who scams people by pretending to choke in restaurants. The film is transgressive and cynical but not ideologically progressive - it's more nihilistic and provocative in a pre-woke countercultural way. The protagonist is deeply flawed and morally bankrupt, but this isn't framed...	No test result	No test result	W:1 F:2 C:1 high Wokeness is minimal, with no explicit progressive ideology or consistent tone. Feminism is slightly elevated due to some gendered dynamics and female characters correcting male behavior, but not strongly ideological. Chickflick elements are weak, as the film focuses more on dark comedy and personal dysfunction than romance or emotional relationship...	No test result	No test result	W:0 F:0 C:0 high The film is a cynical, transgressive dark comedy based on a Chuck Palahniuk novel. Its themes of addiction, fraud, and dysfunctional family dynamics are presented through a nihilistic, satirical lens that predates and does not align with modern progressive ideology. Gender dynamics are not ideologically framed, and the plot is the opposite of a rom...	W:1 F:1 C:1 high Choke is based on a Chuck Palahniuk novel and maintains a cynical, transgressive, and nihilistic tone that is largely antithetical to modern progressive messaging. While it features sexual addiction and unconventional family dynamics, it lacks explicit ideological framing. The female characters are often as flawed or manipulative as the male protag...	W:1 F:2 C:1 high Wokeness is minimal, with no explicit progressive ideological messaging or consistent tone reinforcing modern progressive values. Feminism is present in a limited capacity, primarily through the framing of the male protagonist as flawed and dependent, while female characters often exhibit competence and authority, though not as a dominant pattern....
Prime 2005 - movie	W:1 F:3 C:4 gpt-4o-mini_prompt_v4 high The film does contain some modern themes around a romantic relationship between a younger man and an older woman, but it lacks explicit ideological messaging commonly associated with modern progressive ideology. However, the narrative does portray traditional romantic norms in a somewhat subversive way, contributing to a mild wokeness score. The fe...	W:1 F:1 C:4 high Prime (2005) is a romantic comedy-drama centered on a May-December romance between a 37-year-old divorced woman (Uma Thurman) and a 23-year-old man (Bryan Greenberg), with the comedic twist that her therapist (Meryl Streep) is his mother. The film is strongly romance and emotion-driven with minimal external stakes, justifying the high chickflick sc...	W:1 F:2 C:4 high Prime (2005) is a romantic comedy about a younger man (Bryan Greenberg) dating an older divorced woman (Uma Thurman), complicated by the fact that her therapist (Meryl Streep) is his mother. The film has minimal progressive ideological messaging - the age-gap relationship and interfaith (Jewish-Christian) tensions are played for comedy and drama ra...	No test result	No test result	W:1 F:2 C:4 high The film focuses on a romantic relationship with an age gap, but lacks explicit progressive ideological messaging. Some gendered dynamics are present, with the female lead navigating emotional and romantic challenges, but without strong feminist framing. The primary driver of the story is the romantic relationship, making it strongly female-targete...	No test result	No test result	W:0 F:2 C:5 high The film's central conflict is a romance with an age gap and a therapist-client complication, not modern ideological messaging, resulting in a zero wokeness score. The focus on a successful older woman dating a younger man gives it a light feminist flavor, but it avoids overt ideology or male-bashing. The plot is entirely driven by the central roma...	W:1 F:2 C:5 high The film is a quintessential romance-driven chickflick centered on emotional navigation and relationship dynamics. Wokeness is low as it focuses on traditional religious and age-gap conflicts rather than modern progressive identity politics. Feminism is moderate; while it features a professional female lead, the narrative relies on the trope of a y...	W:1 F:2 C:4 high Wokeness is minimal, with no explicit progressive ideological messaging or consistent tone. Feminism is implied through gendered dynamics (e.g., the older female lead guiding the younger male protagonist), but not strongly ideological. The film is heavily romance-driven, with emotional relationships as the primary narrative engine, targeting a fema...
Rent 2005 - movie	W:4 F:3 C:4 gpt-4o-mini_prompt_v4 high Rent presents explicit ideological content regarding LGBTQ issues, particularly around sexuality and identity, making wokeness a strong theme. Feminist elements are present through the framing of women in positions of moral authority and the critique of traditional norms, though not as pronounced. The narrative is heavily driven by emotional and ro...	W:4 F:1 C:2 high Rent (2005) is a musical adaptation centered on a bohemian community in 1990s New York dealing with poverty, HIV/AIDS, and artistic struggle. The film features multiple LGBTQ characters with significant narrative weight, including gay and lesbian relationships that are central to the plot. A main character (Angel) is a drag queen/trans-identified p...	W:4 F:1 C:3 high Rent centers LGBTQ characters and themes as primary narrative focus - multiple gay/bisexual characters, a prominent transgender character (Angel), and HIV/AIDS as a central dramatic element. The film explicitly celebrates bohemian anti-establishment values, frames traditional work/capitalism negatively (the 'sell out' vs. artist tension with Benny)...	No test result	No test result	W:4 F:2 C:3 high Rent (2005) has strong explicit progressive ideological messaging, particularly around LGBTQ+ themes, poverty, and anti-capitalist sentiment. Feminism is present but not dominant, with some gendered dynamics. The film is relationship-driven but balances emotional arcs with broader social themes.	No test result	No test result	W:5 F:1 C:4 high The film's entire premise is built on modern progressive ideology. It centers on a 'found family' of artists, activists, and LGBTQ individuals defined by their opposition to capitalism ('selling out'), traditionalism, and authority. The narrative explicitly frames their grievance-based, anti-establishment lifestyle as morally superior. Core plotlin...	W:5 F:2 C:3 high Rent is explicitly ideological, centering on identity politics, anti-capitalist activism, and the rejection of traditional societal norms. It features prominent LGBTQ+ and transgender characters (Angel) whose identities are central to the narrative's moral framework. Feminism is present through the framing of Maureen's protest and the rejection of...	W:4 F:2 C:3 high The film prominently features LGBTQ themes, including gay and lesbian relationships as central narrative elements, with progressive ideological framing (e.g., critiques of capitalism, HIV/AIDS activism, and non-traditional family structures). Feminism is present but secondary, with some gendered dynamics (e.g., female characters asserting agency) b...
Teacup 2024 - series	W:3 F:3 C:2 gpt-4o-mini_prompt_v4 high The show features noticeable progressive themes and promotes modern ideological views through character interactions and plot decisions, reflecting a blend of LGBTQ representation and social justice messaging, though not at an excessive level. Feminism is present in the framing of female characters, who often challenge traditional gender roles and...	W:1 F:1 C:1 high Teacup is a horror-thriller focused on a group of neighbors trapped on a farm by a mysterious hostile force. The narrative is driven by survival, paranoia, and body-horror elements rather than ideological messaging. The cast includes men and women in relatively balanced roles without consistent gendered competence patterns or moral framing favoring...	W:1 F:1 C:1 high Teacup is a sci-fi horror thriller about a rural Georgia family and neighbors facing a mysterious threat that forces them to stay within marked boundaries. The show focuses on survival tension, body horror elements, and paranoia rather than ideological messaging. The cast includes a Black family as protagonists, but this is presented neutrally with...	No test result	No test result	W:1 F:2 C:3 low Wokeness is minimal with only weak tonal hints. Feminism shows some implicit ideology through gendered dynamics. Chickflick is moderate as emotional relationships play a significant role.	No test result	No test result	W:0 F:1 C:0 high The show is a straightforward horror-thriller based on a 1980s novel. The plot centers on a family and community fighting a mysterious external threat. There is no evidence of modern progressive messaging; the themes are survival and community, not social justice. The presence of a capable female lead is standard for the genre and does not constitu...	W:1 F:2 C:1 high Teacup is a rural horror-thriller that avoids explicit progressive messaging or identity politics. It receives a low feminism score due to a recurring dynamic where the female lead manages the emotional and practical failures of her husband (infidelity and incompetence), though this is balanced by the survival-horror stakes. It is not a chickflick,...	W:0 F:0 C:0 low No publicly available plot details, trailers, or promotional material for 'Teacup' (2024) provide sufficient evidence of ideological messaging, gender dynamics, or emotional/romantic focus to justify scoring. Defaulting to 0 due to lack of information.
The Flight Attendant 2020 - series	W:2 F:3 C:2 gpt-4o-mini_prompt_v4 high The show features elements of modern progressive ideology, particularly in the portrayal of relationships and some character dynamics. There are explicit LGBTQ themes, but these are not the core focus of the narrative. Feminism is present, with female characters often navigating a male-dominated world, and there are instances of female agency and c...	W:1 F:2 C:2 high The Flight Attendant is primarily a murder-mystery thriller centered on a female protagonist dealing with alcoholism and a conspiracy. Wokeness is minimal—there are LGBTQ supporting characters (her best friend is gay) but they serve narrative functions without ideological weight or messaging. No progressive lectures or identity politics drive the p...	W:2 F:2 C:2 high The Flight Attendant centers on a messy, flawed female protagonist (Kaley Cuoco) caught in a murder mystery/thriller. The show features a gay best friend character (Griffin) with moderate narrative presence, contributing to a mild wokeness signal. The protagonist's chaotic behavior and alcoholism are not framed through a feminist lens—she's genuine...	No test result	No test result	W:1 F:2 C:2 high Wokeness is minimal with no explicit ideological messaging or consistent progressive tone. Feminism is mildly present through the female lead's agency and some gendered dynamics, but not strongly ideological. Chickflick elements exist due to emotional and relationship-driven subplots, but the thriller/mystery plot dominates.	No test result	No test result	W:2 F:1 C:2 high Wokeness: The protagonist's best friend is a lesbian in a significant, long-term relationship that is central to the B-plot. This representation has narrative weight beyond a background appearance, but the show does not engage in explicit ideological messaging. Feminism: The show has a female lead, but she is portrayed as a deeply flawed, reckless...	W:2 F:3 C:2 high The show features a diverse cast and a prominent gay supporting character with a significant subplot, but the primary focus remains on the mystery. Feminism is present through a consistent pattern of the female lead navigating a world of incompetent or predatory men, often relying on her female social network for survival. While it is female-target...	W:1 F:2 C:3 high The show features incidental LGBTQ+ characters without ideological weight. Feminism is implied through the female lead's competence and occasional gendered dynamics (e.g., male characters as flawed or reckless), but not a dominant theme. Emotional and romantic relationships drive significant plot arcs, though external stakes (mystery, danger) remai...
A Discovery of Witches 2018 - series	W:2 F:3 C:3 gpt-4o-mini_prompt_v4 high The show features themes of inclusivity and diverse relationships between species, which introduces elements of identity politics. While the narrative includes powerful female characters, it doesn't explicitly promote a strong feminist agenda but still demonstrates noticeable gender dynamics. The central romantic relationship drives much of the plo...	W:1 F:2 C:4 high A Discovery of Witches is a supernatural romance adapted from a fantasy novel. WOKENESS: Minimal progressive ideology. The show focuses on witches, vampires, and daemons in a secret magical world, with traditional romance at its core. No meaningful identity politics, social justice messaging, or anti-traditional framing. The interspecies romance vi...	W:2 F:2 C:4 high A Discovery of Witches is a supernatural romance centered on a witch-vampire love story. The show features a female academic protagonist (Diana) who is competent and powerful, but the male lead (Matthew) is equally or more powerful and protective - a traditional romantic dynamic. Some modern progressive tone exists: diverse casting, a gay vampire c...	No test result	No test result	W:1 F:2 C:3 high Wokeness is minimal with no explicit progressive ideology or trans themes. Feminism is subtly present through strong female leads and some gendered dynamics. Chickflick elements are notable as romance and emotional relationships drive much of the plot.	No test result	No test result	W:3 F:3 C:5 high The central plot is a transparent allegory for anti-miscegenation, framing traditional rules as bigotry. Prominent, narratively significant gay characters contribute to the score. The story's feminist themes are evident in the female protagonist's journey to embrace her immense power and assert her agency against male figures who seek to control he...	W:2 F:3 C:4 high The show features a modern progressive tone regarding interracial/interspecies relationships and includes secondary LGBTQ characters with narrative weight. Feminism is present through the 'chosen one' female lead who consistently out-powers and corrects ancient male authority figures. It scores high on chickflick because, despite the supernatural s...	W:2 F:3 C:4 high Wokeness is present but not dominant; some progressive themes (e.g., LGBTQ+ characters with narrative weight, anti-traditionalist framing of supernatural hierarchies) but not consistently reinforced. Feminism is implicit through gendered dynamics (female lead as morally authoritative, male characters often flawed or subordinate) but not overtly ide...
Dear White People 2017 - series	W:5 F:3 C:1 gpt-4o-mini_prompt_v4 high The series explicitly addresses themes of race, identity politics, and social justice, making modern progressive ideology a central component of its narrative. The characters often engage in discussions that promote anti-traditional viewpoints, particularly around race and identity. Feminist themes are present, with female characters often position...	W:5 F:3 C:1 high This show explicitly centers on race-based identity politics, progressive activism, and social justice messaging as its primary thematic engine. The title itself signals ideological framing. The narrative consistently explores microaggressions, systemic racism, cultural appropriation, and intersectional identity through a modern progressive lens. C...	W:5 F:3 C:1 high Dear White People is explicitly built around identity politics, specifically race relations at an Ivy League university. The show's entire premise centers on social justice activism, with the protagonist hosting a campus radio show calling out racial microaggressions and cultural appropriation. Progressive viewpoints on race are treated as settled...	No test result	No test result	W:4 F:3 C:1 high The show explicitly addresses race, identity politics, and social justice with a progressive ideological tone. Feminism is present through gendered dynamics and moral framing, but not as dominant as race themes. Chickflick elements are minimal, as the focus is on social and political issues rather than romance or emotional relationships.	No test result	No test result	W:5 F:4 C:2 high The show's entire premise is an explicit and sustained lecture on modern progressive ideology, primarily focused on identity politics, race, and social justice. The narrative is driven by grievance-based activism, and progressive viewpoints are treated as settled moral truth. Intersectional feminism is also a core theme, with female characters cons...	W:5 F:4 C:3 high The series is explicitly built on modern progressive ideology, focusing heavily on identity politics, systemic racism, and social justice activism as its primary narrative engine. Feminism is a core component, frequently framing traditional masculinity as problematic and centering female moral authority in social critiques. While it functions as a...	W:5 F:4 C:2 high The show explicitly centers modern progressive ideology, particularly around race, identity politics, and social justice, with consistent messaging framing systemic racism and microaggressions as pervasive and morally urgent. Feminist themes are strong, with repeated patterns of male incompetence, female moral authority, and critiques of traditiona...
The Good Fight 2017 - series	W:4 F:3 C:1 gpt-4o-mini_prompt_v4 high 'The Good Fight' features strong explicit ideological content that addresses contemporary social justice issues, identity politics, and critiques of traditional power structures. The presence of LGBTQ characters and themes further supports a high wokeness score. The show's feminist elements are present through the portrayal of female authority and...	W:5 F:4 C:1 high The Good Fight is explicitly and consistently progressive in its ideological messaging. The show directly engages with modern progressive causes including Black Lives Matter, Trump resistance, #MeToo, police brutality, voting rights, and LGBTQ issues. Multiple episodes center progressive activism as morally correct, with conservative positions fram...	W:5 F:4 C:1 high The Good Fight is explicitly and unapologetically progressive in its political messaging. The show directly addresses Trump-era politics, #MeToo, Black Lives Matter, police brutality, systemic racism, and LGBTQ rights as central narrative elements rather than background. Characters deliver direct ideological commentary, and progressive viewpoints a...	No test result	No test result	W:4 F:4 C:1 high The Good Fight consistently engages with progressive ideological messaging, particularly around race, gender, and politics, often framing these issues through a modern liberal lens. Feminist ideology is strongly present, with female characters frequently in positions of authority and moral superiority, and traditional masculinity often undermined....	No test result	No test result	W:5 F:5 C:1 high The show's entire premise is a direct reaction to the 2016 election, and its narrative is explicitly driven by modern progressive ideology. Nearly every episode tackles topics like systemic racism, identity politics, and social justice from a clear, unambiguous progressive viewpoint. The show is also fundamentally feminist, centered on powerful fem...	W:5 F:4 C:1 high The Good Fight is explicitly built around modern progressive activism, identity politics, and a direct narrative obsession with the Trump era. It features frequent moral lectures, trans-focused storylines, and a consistent framing of traditional institutions as morally suspect. Feminism is a core driver, with female authority routinely elevated whi...	W:4 F:3 C:2 high The show explicitly engages with modern progressive ideology, including identity politics, social justice themes, and anti-traditional framing. LGBTQ+ characters and storylines, including transgender themes, are given narrative weight and treated as morally authoritative. Feminism is present through repeated gendered dynamics, with women often posi...
Casual 2015 - series	W:2 F:3 C:3 gpt-4o-mini_prompt_v4 high The show incorporates modern relationships and explores themes of dating, marriage, and contemporary societal norms, which hint at wokeness. It features diverse relationship dynamics, but explicit progressive ideology is not the central focus. The portrayal of men often reflects incompetence or moral flaws, aligning with feminist themes of undermin...	W:2 F:3 C:3 high Casual follows a recently divorced mother and her bachelor brother navigating relationships and modern dating. Wokeness is moderate: the show has a progressive California sensibility with casual acceptance of non-traditional relationships and sexual fluidity, plus some LGBTQ characters with narrative weight, but lacks heavy-handed ideological messa...	W:3 F:3 C:3 high Casual centers on a divorced therapist and her bachelor brother navigating modern dating and family dysfunction. The show treats casual sex, non-traditional family structures, and progressive relationship norms as default and unquestioned. There's consistent ideological tone framing traditional relationships and marriage skeptically. The male lead...	No test result	No test result	W:2 F:3 C:4 high Casual (2015) has a moderate wokeness score due to its modern, progressive tone and some explicit dialogue around relationships and sexuality, though not heavily ideological. Feminism is more pronounced, with recurring themes of female independence and male incompetence. The show is strongly chickflick, as it revolves around emotional and romantic...	No test result	No test result	W:2 F:2 C:4 high The show's content is centered on the messy personal lives of its characters, not ideology. Wokeness is present through a major character's multi-season bisexuality arc and a generally progressive social setting, but it lacks overt political messaging. Feminism is noticeable in the premise, which is kicked off by a husband's infidelity, and in the...	W:2 F:3 C:3 high Casual features a consistent ideological tone that deconstructs traditional family structures and monogamy. Wokeness is moderate, driven by a cynical, secular-progressive worldview and the inclusion of LGBTQ+ storylines (notably a trans character in later seasons). Feminism is present through the framing of the male lead as emotionally stunted and...	W:2 F:3 C:4 high The show centers on modern dating, family dynamics, and personal relationships with a consistent tone critiquing traditional norms (e.g., marriage, masculinity, and family structures). While not overtly ideological, the framing often portrays men as flawed or immature, with women as more emotionally competent. LGBTQ+ characters appear but lack deep...
Score 4
Nappily Ever After 2018 - movie	W:3 F:4 C:4 gpt-4o-mini_prompt_v4 high The film features explicit themes around self-acceptance and challenges traditional ideals of beauty and relationships, aligning with modern progressive ideology, especially regarding self-image and personal autonomy. Feminist themes are strong, with a clear narrative focus on female empowerment and critique of traditional gender roles, depicting w...	W:2 F:3 C:4 high Wokeness: The film centers on a Black woman's journey of self-acceptance regarding natural hair, which touches on identity politics and beauty standards tied to race. However, the messaging is more personal empowerment than explicit progressive ideology. The hair journey has cultural significance but isn't framed as activist messaging or social jus...	W:3 F:3 C:4 high Nappily Ever After centers on a Black woman's journey to self-acceptance after shaving her head, with natural Black hair politics as a central theme. The film explicitly addresses beauty standards imposed on Black women, framing the protagonist's liberation from relaxers and weaves as empowerment. This constitutes identity-focused progressive messa...	No test result	No test result	W:3 F:4 C:4 high The film has explicit feminist messaging around self-empowerment and rejecting societal beauty standards, particularly for Black women, which elevates both wokeness and feminism scores. The narrative is heavily relationship-driven, focusing on emotional arcs, making it strongly chickflick.	No test result	No test result	W:4 F:4 C:5 high The film's entire premise is an exercise in identity politics, focusing on a Black woman's liberation from Eurocentric beauty standards, making it a textbook example of modern progressive messaging. The narrative is also fundamentally feminist, framing a woman's journey to self-actualization as a rejection of an inadequate male partner and traditio...	W:3 F:4 C:5 high The film centers on identity politics regarding Black hair and beauty standards, framing traditional grooming as a form of societal oppression. It scores high on feminism by portraying the protagonist's liberation as a rejection of male expectations and traditional relationship milestones. As a romance-driven drama focused entirely on female self-d...	W:3 F:4 C:4 high The film centers on a Black woman's journey to self-acceptance and empowerment, explicitly rejecting Eurocentric beauty standards (e.g., hair texture) as a form of progressive ideological messaging. While not overtly activist, the narrative consistently frames traditional beauty norms and relationship expectations as oppressive, aligning with moder...
Thelma & Louise 1991 - movie	W:3 F:4 C:2 gpt-4o-mini_prompt_v4 high The film presents a progressive view on gender roles and critiques traditional masculinity, which aligns with modern feminist ideology, although it does not delve deeply into LGBTQ themes. Its focus on female autonomy indicates a significant feminist angle. However, the narrative's themes of action and road-trip adventure dilute the emotional relat...	W:2 F:4 C:1 high Wokeness: The film contains anti-patriarchal framing and critiques of male authority structures, but lacks the explicit identity politics, social justice messaging, or modern progressive terminology characteristic of higher scores. The ideological tone is present but rooted more in second-wave feminism than contemporary wokeness. Feminism: Strong f...	W:2 F:4 C:2 high Thelma & Louise features strong feminist ideology as its core thematic engine. Men are consistently portrayed as predatory (rapist), controlling (Thelma's husband), sleazy (the truck driver), or criminal (the thief boyfriend). The narrative frames female liberation as escape from male-dominated systems, with law enforcement and patriarchal society...	No test result	No test result	W:2 F:4 C:2 high The film has strong feminist themes with women challenging traditional gender roles and male authority, but lacks explicit modern progressive ideological messaging. The focus on female friendship and rebellion against patriarchy drives the narrative, but it's not primarily a romance or emotion-driven story.	No test result	No test result	W:3 F:5 C:2 high The film's wokeness score is based on its strong anti-patriarchal framing and grievance-based narrative, which are foundational to modern progressive gender ideology, though it lacks contemporary markers like race or trans issues. The feminism score is maxed out because the entire narrative is explicitly structured as a feminist rebellion against a...	W:2 F:5 C:2 high The film is a foundational text for second-wave feminist cinema, explicitly framing the male characters as oppressive, incompetent, or predatory while positioning the female protagonists' rebellion against the patriarchy as a moral necessity. While it lacks modern identity politics or trans-focused themes (keeping wokeness moderate), its gender ide...	W:2 F:4 C:1 high The film contains strong feminist messaging, framing systemic male behavior (harassment, assault, condescension) as oppressive and justifying female rebellion. While not overtly 'woke' by modern standards, its consistent ideological tone aligns with second-wave feminist critiques of patriarchy. No explicit progressive identity politics or LGBTQ the...
HIS & HERS 2026 - series	W:3 F:4 C:4 gpt-4o-mini_prompt_v4 low The show incorporates noticeable elements of modern progressive ideology, including aspects of identity politics and social justice themes. It presents gender dynamics where female characters often hold moral authority, while male characters are occasionally depicted unfavorably. The narrative heavily centers around emotional and romantic relations...	W:0 F:0 C:0 low Unable to evaluate. 'HIS & HERS' (2026) does not appear to exist as a released or widely documented TV show. No verifiable plot details, themes, or content are available. Without access to actual content, no meaningful assessment of ideological messaging, gender dynamics, or targeting can be made.	W:0 F:0 C:0 low I cannot find any verified information about a TV show titled 'HIS & HERS' from 2026. This title does not appear in any entertainment databases or announcements I have access to. Without confirmed details about the show's actual content, characters, themes, or narrative, I cannot responsibly assign scores. The title alone provides no meaningful bas...	No test result	No test result	W:0 F:0 C:0 low No data available on 'HIS & HERS' (2026) to evaluate content themes or targeting.	No test result	No test result	W:4 F:4 C:5 high The show's premise, a separated couple hosting a relationship podcast, serves as a vehicle for ideological messaging. The female lead, a therapist-in-training, consistently frames issues through a modern progressive lens, treating her 'traditional' male counterpart as a project to be fixed. This dynamic makes explicit ideology and gendered moralizi...	W:1 F:2 C:2 high Based on the source material and production details, the show is a psychological thriller focusing on a fractured marriage and a murder investigation. While it features a dual-perspective narrative that often highlights domestic friction and male shortcomings, the primary driver is mystery and suspense rather than explicit progressive ideology. The...	W:0 F:0 C:0 low No information available about the content or themes of 'HIS & HERS' (2026). Scores default to 0 due to absence of evidence.
The Bold Type 2017 - series	W:4 F:4 C:4 gpt-4o-mini_prompt_v4 high 'The Bold Type' features explicit themes of modern progressive ideology, including LGBTQ representation and discussions of social issues, which are central to the narrative. Feminist ideals are consistently present, with women’s empowerment and gender dynamics shaping character interactions. The show is clearly female-targeted, with romantic and em...	W:4 F:4 C:3 high The Bold Type centers on three women working at a feminist magazine (Scarlet), with progressive ideology embedded throughout. Explicit content includes: workplace activism, feminist messaging as core to the magazine's mission, LGBTQ storylines with narrative weight (including a main character's lesbian relationship and exploration of sexuality), di...	W:5 F:5 C:4 high The Bold Type centers on three young women at a Cosmopolitan-style magazine and explicitly tackles progressive social issues as core storylines: LGBTQ identity (main character Kat's bisexual awakening and lesbian relationship is a major arc), workplace sexism, reproductive rights, immigration, breast cancer and BRCA testing, sexual assault, and rac...	No test result	No test result	W:4 F:4 C:3 high The Bold Type consistently features explicit progressive messaging on gender, sexuality, and social justice, with trans and LGBTQ themes given narrative weight. Feminist ideology is central, with male characters often sidelined or flawed. The show is relationship-driven and female-targeted, though not exclusively romance-focused.	No test result	No test result	W:5 F:5 C:5 high The show is set at a progressive women's magazine and centers on three young women. The narrative is explicitly driven by modern progressive ideology, with frequent storylines about social justice, identity politics, and systemic critiques. It is overtly feminist, framing female empowerment and solidarity as its core message while often portraying...	W:5 F:5 C:5 high The series is an explicit vehicle for modern progressive ideology, featuring heavy emphasis on identity politics, social justice activism, and LGBTQ+ themes including non-binary storylines. It utilizes a high-feminism framework where traditional masculinity is frequently critiqued and female authority is morally elevated. The narrative is entirely...	W:4 F:4 C:4 high The show explicitly centers progressive ideological messaging, including LGBTQ+ themes (e.g., a main character's coming-out arc and a transgender storyline), social justice advocacy, and critiques of traditional norms. Feminism is a core thematic driver, with repeated framing of women as morally superior, men as flawed or secondary, and workplace d...
Insecure 2016 - series	W:4 F:4 C:3 gpt-4o-mini_prompt_v4 high Insecure includes explicit themes of identity politics, race, and gender, often framing modern progressive ideologies as central to the narrative. Feminist ideology is prevalent, with male characters often depicted as flawed and women asserting moral authority. The emotional and romantic relationships are significant but not the sole focus, justify...	W:3 F:2 C:3 high Insecure centers on a Black woman navigating professional and romantic life in Los Angeles. Wokeness is present through consistent focus on racial identity, microaggressions in workplace settings, and commentary on Black culture and representation, though it avoids heavy-handed lecturing and maintains comedic tone. The show explores gendered dating...	W:3 F:3 C:4 high Insecure centers on Black female friendship and dating in Los Angeles. Race is a consistent thematic focus - workplace microaggressions, code-switching, and Black identity are explored throughout, though often through personal experience rather than overt lecturing. The show features some explicit progressive framing around race relations and datin...	No test result	No test result	W:3 F:4 C:3 high Wokeness: Moderate due to consistent focus on Black identity and modern relationships, but lacks heavy-handed ideological messaging. Feminism: High due to recurring gendered dynamics and moral framing favoring female perspectives. Chickflick: Moderate as romantic and emotional arcs are central but balanced with other life challenges.	No test result	No test result	W:4 F:3 C:5 high The show's narrative is built on modern progressive ideology. It centers on the experiences of Black characters navigating systemic racism, microaggressions, and gentrification. Social justice is an explicit theme via a main character's work at a non-profit. Identity politics (race, gender, sexuality) are not just present but are the core subject m...	W:3 F:4 C:4 high The show centers on identity politics and the Black experience through a modern progressive lens, though it often prioritizes personal messiness over overt moral lecturing. Feminism is high as the narrative consistently frames male characters as secondary, emotionally stunted, or needing correction by the female leads, while prioritizing female car...	W:3 F:4 C:4 high Wokeness: The show centers on Black women's experiences with consistent racial and gender identity themes, though not always framed as overtly progressive. Some explicit discussions of race, microaggressions, and systemic issues appear, but the tone is more observational than preachy. Feminism: Gender dynamics are central, with women often portraye...
Score 5
Promising Young Woman 2020 - movie	W:4 F:5 C:1 gpt-4o-mini_prompt_v4 high The film clearly presents modern progressive ideology through its themes surrounding consent, misogyny, and systemic patriarchal issues, generating a strong wokeness score. Feminist ideology is central to the narrative, positioning female empowerment and critique of male behavior as dominant themes, justifying a high feminism score. However, emotio...	W:4 F:5 C:1 high Wokeness: The film explicitly centers on rape culture, toxic masculinity, and systemic protection of male predators. Progressive ideology shapes the narrative through its framing of institutional complicity and gender-based violence as structural problems requiring radical response. The protagonist's vigilante actions are morally contextualized wit...	W:3 F:4 C:2 high The film centers explicitly on rape culture, male complicity, and systemic failure to hold men accountable for sexual assault. Men are consistently framed as predatory, complicit, or morally weak - from the 'nice guys' who prey on drunk women to former classmates who enabled assault. The narrative treats male behavior as a collective problem requir...	No test result	No test result	W:4 F:5 C:1 high The film's explicit focus on sexual assault, systemic misogyny, and the failure of institutions to protect women strongly signals progressive ideological messaging (wokeness). Feminist ideology is central, with men consistently framed as morally flawed and women as morally authoritative. The story is not romance-driven, focusing instead on revenge...	No test result	No test result	W:5 F:5 C:1 high The film's entire narrative is an explicit social justice critique of rape culture and patriarchal systems, making it a clear vehicle for modern progressive ideology. Its feminism is absolute, framing nearly all male characters as complicit or predatory and structuring the plot as a righteous quest for gendered justice. Despite a central romantic s...	W:4 F:5 C:1 high The film is an explicit critique of the 'patriarchy' and 'nice guy' tropes, utilizing a grievance-based narrative to address systemic gender issues and sexual assault. It scores maximum on feminism as it frames almost every male character as morally compromised, complicit, or predatory, while the protagonist's mission is a moral lecture on male acc...	W:2 F:4 C:2 high The film explicitly centers on feminist themes of sexual assault, victim-blaming, and systemic misogyny, framing these issues as morally unambiguous and progressive. While there is no significant LGBTQ or broader progressive ideological content, the consistent gendered framing and moral messaging align closely with modern feminist ideology. The nar...